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  • AKG Mics C414B/ULS

    Classic large-diaphragm reference microphone; selectable cardioid, hypercardioid, omnidirectional or figure-eight polar patterns; two-stage preattenuation pad and bass cut filter; high sound pressure level capability – up to 160 dB SPL. The C414 B-ULS is THE reference microphone for almost all comparative microphone tests and one of the most used condenser microphones in the world. It…

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  • AKG Mics C414 B-XLS

    High sensitivity and extremely low self noise; five switchable polar patterns for placement and application flexibility; two-color LEDs provide quick visual indication of selected polar pattern and output overload; elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration; H85 professional shock mount/stand adapter, PF80 external pop filter and W414 X external windscreen. A reference-quality…

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  • AKG Mics C451

     

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  • AKG Mics D112

    The D112 has earned a well-deserved reputation worldwide as the best kick drum microphone ever made. Heavy-footed drummers are thrilled with the D112´s ability to handle up to 160dB SPL without any distortion. The diaphragm has a very low resonance frequency to maintain a solid and powerful response below 100Hz. A narrow band presence boost…

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  • AKG Mics C518M

    The C518 professional miniature clamp-on microphone is the ultimate tool for recording of drums and percussion. Its cardioid polar pattern rejects overspill from nearby instruments. A continuously adjustable vise-type clamp makes it easy to fix the microphone securely on the rim of drums or percussion instruments. A special snap-on stabilizer keeps the gooseneck in a…

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  • AKG Mics D7

    The D7 reference dynamic vocal microphone creates the subtle and open sound of a condenser capsule with the powerful resonance of a dynamic microphone. The patented dual-layer Varimotion diaphragm can vibrate unhindered, which results in an extraordinarily crisp and clean sound. The unique laminated material damps high resonance peaks in the frequency response, which in…

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  • Astatic Mics 827A

    The Astatic 827A Condenser Gooseneck Microphone is an elegant microphone with a slender profile, designed for mounting onto podiums, conference tables, desk surfaces, etc. The microphone features a sensitive condenser transducer with an optimized frequency response that accentuates vocal presence while minimizing low-frequency noise. This model features a fully adjustable 17″” gooseneck for flexible, stable…

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  • Astatic Mics CTM 1500VP

    The Astatic CTM-1500VP is a continuously variable-pattern side address large diaphragm condenser microphone designed for professional sound reinforcement, recording and broadcast applications. The CTM-1500VP combines a vintage 1.1″, gold sputtered, externally biased capsule design with advanced electronics. Continuously variable pattern control allows the operator to “dial in” precise coverage according to desired miking techniques as…

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  • Astatic Mics GN15VP

    The Astatic GN15VP Miniature Gooseneck Microphone delivers the professional features needed to achieve optimum speech pickup in board meetings, conferences, presentations, houses-of-worship and more. The GN15VP features a highly sensitive condenser capsule with a continuously variable pickup pattern. Users may adjust the polar pattern continuously from omnidirectional, cardioid, hypercardioid and figure-eight for maximum flexibility and…

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  • Audio Technica Mics AT4040

    The AT4040 side-address condenser microphone features an advanced large diaphragm tensioned specifically to provide smooth, natural sonic characteristics. A marriage of technical precision and artistic inspiration, the AT4040 offers exceptionally low noise, wide dynamic range and high-SPL capability for greatest versatility. This ultra-consistent microphone may be used with confidence in a wide variety of studio…

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  • Audio Technica Mics AT831B

    The AT831B clip-on lavalier mic provides crisp, full-sounding voice pickup and makes for an excellent instrument mic, especially for pickup of acoustic guitar with included AT8444 guitar adapter. It offers excellent gain before feedback and suppression of background noise. Operates on battery or phantom power.

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  • Audio Technica Mics AT935B

    Ideal for kick drum, toms, and other highly dynamic instruments Handles very high SPL at close range Big, warm low-frequency response with excellent presence Multi-level grille and rugged construction Offers very full sound on close-up vocals and dialogue

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  • Audio Technica Mics ATR3M

    The ATR3M is a quality dynamic talkback microphone engineered for durability, excellent speech intelligibility and reliable performance—at a very attractive price. With its flexible gooseneck design, XLR-type plug-in, protective windscreen and press-on/press-off switch, the microphone is ideal for everyday use in entertainment, commercial and industrial applications.

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  • Audio Technica Mics Pro7a

    Lavalier mic also excels in acoustic guitar applications Provides crisp, full-sounding voice and instrument pickup Special internal construction minimizes handling and clothing noise Switchable low-frequency roll-off

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  • Audix Mics 300-xb

     

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  • Audix Mics ADX-20i

    From Audix, the ADX20I is a miniature condenser microphone designed for capturing instruments. The microphone’s pre-polarized condenser element reproduces sound that is more than suitable for capturing brass, woodwinds, percussion and more. The wide 40Hz to 20kHz frequency response accurately reproduces audio in pristine detail without noise and distortion. The ADX20’s low profile is ideal…

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  • Audix Mics ADX51

    The ADX51 is a professional pre-polarized condenser microphone used for stage, studio and broadcast applications. The ADX51 is known for its clear, accurate response and flexibility to handle close or distance miking for a wide variety of acoustic instruments. Characterized with a uniformly controlled cardioid polar pattern, the ADX51 is designed to capture the acoustics…

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  • Audix Mics CD11

    The CD11 is an entry level dynamic vocal microphone designed for a wide variety of applications including music, speech, corporate AV, karaoke, houses of worship, and education. The CD11 is known for its clear vocal reproduction, resistance to feedback, reliability, and sturdiness. The CD11 is characterized with a uniformly controlled cardioid polar pattern which helps…

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  • Audix Mics CX112B

    The CX112B is a large diaphragm condenser microphone with a contemporary design and excellent performance characteristics. It is an exceptional tool for professional audio production, project studios and live stage performances. Delivering a smooth, uniform frequency response from 20 Hz – 20 kHz, the CX112B offers a rich, full bodied sound delivered by its 35…

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  • Audix Mics D2

    The D2 is used for stage, studio and broadcast applications. It is designed with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ diaphragm for natural, accurate sound reproduction. The D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophones, guitar…

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  • Audix Mics D4

    Designed, machined, assembled and tested by Audix in the USA, the D4 is a dynamic instrument microphone used for stage, studio and broadcast applications. The D4 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLMTM (Very Low Mass) diaphragm for natural, accurate sound reproduction. The D4…

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  • Audix Mics D6

    Designed, machined, assembled and tested by Audix in the USA, the D6 is a dynamic instrument microphone used for stage, studio and broadcast applications. The D6 is characterized with a cardioid pickup pattern for isolation and feedback control and is equipped with a VLMTM (Very Low Mass) diaphragm for natural, accurate sound reproduction. The D6…

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  • Audix Mics i5

    Designed, assembled and tested by Audix in the USA, the i5 is a dynamic instrument microphone used for stage, studio and broadcast applications. The i5 is able to handle sound pressure levels in excess of 140 dB without distortion and can be used to mic a wide variety of musical instruments, guitar and bass cabinets,…

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  • Audix Mics f50

    The f50 is a dynamic vocal microphone designed for a wide variety of live and studio applications. The f50 is known for its warm, natural sound reproduction, resistance to feedback and ability to handle high sound pressure levels without distortion. The f50 is characterized with a unidirectional and uniformly controlled cardioid polar pattern which helps…

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  • Audix Mics OM6

    Designed, assembled and tested by Audix in the USA, the OM6 is a dynamic vocal microphone used for a wide variety of live, studio, and broadcast applications. The OM6 is known for its broad frequency response, full-bodied and articulate sound reproduction, resistance to feedback and ability to handle high sound pressure levels in excess of…

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  • Audix Mics OM7

    Designed, assembled and tested by Audix in the USA, the OM7 is a dynamic vocal microphone used for professional sound companies, front of house engineers, mixing engineers, and high profile fixed installations. The OM7 is known for its ability to provide unprecedented gain before feedback on concert level stages without sacrificing sound quality. In addition,…

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  • Audix Mics SCX1

    The SCX1 is a professional studio cardioid condenser microphone designed for a wide variety of recording, broadcast and live sound applications. Known for its high sensitivity, pin-point accuracy, low profile and consistency, the SCX1 is also available with hypercardioid (model SCX1HC) or omnidirectional (model SCX1O) capsules. With a smooth uniform frequency response from 40 Hz…

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  • Audix Mics TM1

    The TM1 is a 6 mm pre-polarized condenser microphone used for test and measurement applications. The TM1 is known for its linearity, accurate response, consistency, ease of use and affordability. Characterized with a uniformly controlled omni-directional polar pattern, the TM1 is designed to capture acoustic measurements for room analysis software programs, real time analyzers and…

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  • Audix Mics TR40

    The TR40 is a measurement-style electret condenser, built around the 6mm omni capsules that are common to this application. The mic is a physical clone of the MBHO MBNM 550 EL, although the specs and performance of the two mics differ widely. Harvey Gerst of Indian Trail Recording Studio has been quoted as speculating that…

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  • Beyerdynamic Mics M201N

    The M201 is a dynamic instrument microphone with a hypercardioid pickup pattern. It uses a low-mass diaphragm made of Hostaphan (a polyester film similar to Mylar) and a humbucking coil to reduce electrical interference from nearby AC sources.

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  • Beyerdynamic Mics M300 TG

    The M 300 offers precision engineering and quality. Its efficient, durable moving coil design produces high output. The warm, full-bodied sound of the M 300 is tailored to capture all the distinctive nuances of a vocal or instrumental performance with a subtle high frequency rise, a bass proximity effect, and a moderate midrange “presence” boost….

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  • Beyerdynamic Mics M 69 TG

    The M 69 TG serves in just about every application you can dream of for a microphone and many more beyond. A classic all-round model with a superb response characteristic making the human voice sound real, be it spoken or sung, chanted or shouted. The unique shape and sound of the M 69 TG coupled…

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  • Beyerdynamic Mics MCE 53

    The Beyerdynamic MCE 53 is an omnidirectional miniature clip-on condenser microphone intended for use with saxophone and larger wind instruments.

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  • Beyerdynamic Mics MCE 81 TG

    The MCE 81 has been specifically designed to satisfy the critical demands of high-quality sound reinforcement and vocal applications. Its frequency response and cardioid polar pattern provide musicians and sound engineers with maximum vocal clarity, intelligibility with excellent gain-before-feedback. The MCE 81’s sonic quality makes it an ideal choice for vocal applications in the studio…

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  • Beyerdynamic Mics MCE 83

    The MCE 83 is a studio condenser microphone suitable for instrument miking. Employing back electret technology, its wide frequency response makes it ideal for all formats of recording. Its cardioid characteristics are similar to higher priced studio microphones and captures the sound required with the greatest of ease. Housed in a robust brass body, it…

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  • Beyerdynamic Mics Opus 62

    The Beyerdynamic Opus 62 Hypercardioid Dynamic Instrument Microphone has been developed for miking brass instruments. The Beyerdynamic Opus 62 Dynamic Vocal Microphone achieves very high gain before feedback. The flexible gooseneck ensures optimal positioning to suit both musician and sound engineer.

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  • Beyerdynamic Mics SHM 20 N

    The SHM 20 series is a high output miniature condenser microphone with extraordinary sensitivity. Its hypercardioid polar pattern reduces undesirable off-axis sound while providing outstanding volume before feedback. Its wide range frequency response with minimal low frequency “proximity effect” is designed to accurately provide maximum speech or vocal intelligibility. The microphone is interfaced to a…

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  • Beyerdynamic Mics SHM 803

    The Beyerdynamic SHM 803 is a gooseneck microphone with the properties of a professional shotgun microphone. The SHM 803 is primarily intended for speech pick up in conferences, meetings, presentation and general public address applications. The hyper-cardioid / lobe pick up pattern is particularly effective in eliminating off-axis ambiance and associated noise. The focused pick…

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  • Beyerdynamic Mics TG-X 480

     

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  • Beyerdynamic Mics TG X 580

     

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  • Beyerdynamic Mics TG-X 60

    The TG-X60 is a favorite among rock singers. It can be hand held or mounted on a stand its ability to withstand high spund pressure levels makes it suitable for close miking of instruments or speaker cabinets. • Hypercardioid polar pattern • High volume before feedback • Vocal tailored frequency response • Rugged construction to…

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  • BSS Dis AR133

    The unit includes phantom power and battery supplies as standard. Should the phantom power from the console fail or be accidentally switched off, the AR-133 automatically switches over to the internal 9V battery providing uninterrupted use. The unit is housed in a rugged aluminum extrusion case, with robust polyurethane end-cheeks which give the AR-133 a…

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  • Countryman Mics Isomax 2-C

     

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  • Countryman Mics Isomax 4

     

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  • Countryman Mics Isomax B3

    B3 Omnidirectional Lavalier Available in Black, Beige and Cocoa.

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  • Countryman Mics Type 85 FET

    Direct Box

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  • Countryman Mics E6

    E6 Earset

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  • Crown Mics CM-311AE

    Designed for touring and live-sound applica- tions, the Crown® CM-311AE is a rugged head-worn microphone with unequalled performance. It sounds like the best handheld micro- phones—full, clear, and distortion-free, even with the loudest singers. The CM-311AE is the latest version of the Crown’s proprietary Differoid® technology. Its cardioid pickup pattern rejects sounds from the rear,…

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  • Crown Mics GLM 200

    GLM stands for “”Great Little Mic””, and we agree! This little dynamo is designed for professional recording and sound reinforcement, and offers the quality of large studio mics in a tiny package. This mini-condenser can be attached to an acoustic guitar, sax, flute, drum rim, or next to the performer’s face for freedom of movement….

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  • Crown Mics PCC 160

    Used in almost any kind of permanent public address forum such as lecture halls, conference tables or meeting rooms, the PCC-160 is a top-of-the-line supercardioid boundary microphone. For the stage floor or the desktop, the PCC-160 is the mic you’re looking for. – Element Type: Electret Condenser – Frequency Response: 40 Hz to 18 kHz…

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  • Crown Mics PZM-6LPB

     

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  • DPA Mics 2011A

    The new DPA 2011A microphone has strong references to the acclaimed close-miking and hi-SPL handling specialist DPA 4011 cardioid microphone – not only by its type number 11, also in its all-round capture abilities. 2011 is primarily optimized for on-stage use and the technology combines the new Twin Diaphragm Capsule and DPA’s strong know-how within…

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  • DPA Mics 2011C

    The new DPA 2011C microphone has strong references to the acclaimed close-miking and hi-SPL handling specialist DPA 4011 cardioid microphone – not only by its type number 11, also in its all-round capture abilities. 2011 is primarily optimized for on-stage use and the technology combines the new Twin Diaphragm Capsule and DPA’s strong know-how within…

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  • DPA Mics 4011A

    The DPA 4011A cardioid condenser microphone is an upgraded version of our classic 4011, renowned in recording studios and live applications around the world as an exceptional mic. State-of-the-art components have been carefully selected to provide optimal neutrality, accuracy, and extremely low distortion.

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  • DPA Mics 4011ES

    Ideal for unobtrusive spot miking, such as hanging or table use, the 4011ES (side cable) is an ultra-compact cardioid microphone from the modular DPA d:dicate Recording Microphones series. With a length of only 3,5 cm, the low-key appearance of the 4011ES is followed by the SM4000-C suspension mount, which is included in the package. This…

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  • DPA Mics 4061

    The New d:screet™ 4061 Miniature Microphones are the versatile workhorses that adapt to your needs. With eminent sound quality, a large range of accessories, and adapters available for all pro wireless systems, the d:screet Miniature Mics are the obvious choice for any application requiring a big sound and a small footprint. Originally designed for use…

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  • DPA Mics 4066

    The 4066 is a flexible miniature microphone solution that features very easy and fast adjustment. The headset construction is unique in design, offering both left and right mounting and color change. It is also possible to use the MMB4066 Miniature Microphone Boom, Omnidirectional, separately, in applications where the headset is not needed. The 4066 offers…

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  • DPA Mics 4088

    DPA 4088 is a miniature cardioid headset mic built on the finest DPA experiences in microphone design and manufacturing, providing the best sounding directional headworn microphone available today for performing talent of various sorts. Open, natural and reliable are the most describing words for this microphone. The high quality of the microphone itself means that…

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  • DPA Mics 4099

    Building upon the award-winning 4099 series, d:vote features an enhanced shockmount design, and a choice of detachable cables of two diameters and versatile gooseneck extender. Much more natural sounding than any internal microphone or pickup, d:vote rejects unwanted noise and accurately captures the true voice of acoustic instruments. From piano, guitar and strings to woodwinds,…

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  • DPA Mics ST2011C

    The DPA ST2011C is a complete DPA 2011C Stereo Pair with two handpicked cardioid microphones, selected on sensitivity within ±1.5 dB making several stereo principles like XY and ORTF easy to obtain. The compact design and controlled directionality of our versatile 2011Cs make them an excellent choice for spot mics for classical recording and on-stage…

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  • Klark Teknic DN100

    The new Klark Teknik DN100 Direct Injection Box is the natural successor to the long-established LBB100. A ground-up redesign provides an extended dynamic range, lower noise floor and all the world-class audio performance you’d expect from Klark Teknik. DN100 is also designed to handle the rigors of life on the road: a thick aluminum shell…

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  • Klark Teknic LBB100

    The Klark Teknik model LBB100 Direct Injection box provides high quality transformer isolation, attenuation, and impedance matching of audio signals for use in live performance or in the studio.

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  • Neumann Mics KMS 105

    Neumann is world renowned for their legacy of fantastic studio microphones, but with the elegant KMS-105 they are making their uncompromising standards available in an affordable high quality hand held microphone. The exquisite design includes an elastic shock mounted supercardioid capsule with three metal basket layers providing a robust method of getting rid of those…

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  • Neumann Mics KM 184 mt

    The matte black KM 184 MT Microphone from Neumann is a small-diaphragm cardioid condenser microphone that offers premium Neumann sound that’s both open and musical. It is great for solo instruments, ensemble, and spot miking. The KM 180 series microphones feature an output stage based on the KM 100. Transformerless circuitry and balanced output result…

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  • Neumann Mics TLM 103

    The nickel TLM 103 Large Diaphragm Condenser Microphone from Neumann is a cardioid, directional microphone that features low self-noise and high sound pressure level transmission. The capsule, derived from that used in the Neumann U 87, has a cardioid pattern, is acoustically well-balanced and provides great attenuation of signals from the rear. The TLM 103…

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  • Radial Dis J48

     

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  • Radial DIs JDI

    Giving you 2 passive channels for stereo or dual mono DI applications, the JDI Stereo Passive Direct Box from Radial Engineering features Jensen transformers that balance your signal and lower its impedance for driving long cables. The unit boasts a flat frequency response from 10 Hz to 40 kHz, allowing the natural sound of your…

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  • Radial Dis JPC (STEREO PC-AV ACTIVE DIRECT BOX?)

    The JPC from Radial Engineering is a stereo direct box that has been specifically designed for connecting computer sound cards and other consumer electronic products to a professional sound system. It combines the advantages of transformer-isolated inputs with an active drive circuit. Transformer coupled inputs isolate the source from the destination. This eliminates 60-cycle hum…

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  • Radial DIs ProDI (SINGLE CHANNEL PASSIVE DIRECT BOX?)

    The ProDI from Radial Engineering is a high-quality, single channel, ultra-compact passive direct box, specifically developed to allow regional sound companies and project studios access to the quality of a Radial direct box at a more affordable price point. The ProDI is a great choice for bass and acoustic guitar. The unit features a custom-made…

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  • SCHOEPS CMC 6 U Preamplifier with MK 4

    The MK 4 is SCHOEPS’ best-selling capsule. It offers the highest sound quality, flat frequency response, optimal rejection of rear-incident sound, and a directional pattern that remains constant throughout the audio frequency range. In the diffuse sound field it shows only a mild rise around 10 kHz; the sonic impression thus remains free of coloration even…

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  • SCHOEPS RC Set “Singer”

    The RC Set “Singer” is customized for the application as a spot or soloist microphone for a singer or speaker. This set is worldwide generally referred to as the “pavarotti stand” and a general standard in concert halls. The pure elegance of the setup offers highest sound quality and at the same time a look…

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  • Sennheiser Mics e602

    The evolution e602 is a dynamic microphone intended for use on kick drum and other low-frequency instruments. The mic has a nominal Cardioid polar pattern, widening toward Omni at low frequencies and narrowing at higher frequencies. The published frequency chart shows a boosted high and low response, common to the “tailored” EQ curve built into…

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  • Sennheiser Mics e 604

    The frequency response and cardioid pick-up pattern are optimized for drum sets and other percussion instrument miking, while also producing exceptional results on all forms of brass and woodwind. An integral stand mount screws directly onto mic stands and included clip attaches mic to rim of drum. Very high sound pressure level handling, in excess…

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  • Sennheiser Mics e 609

    The rugged workhorse with a practical shape. The super-cardioid e 609 silver instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source. Features Rugged metal body Advanced shock-mount design Super-cardioid pick-up pattern Hum compensating coil Made in Germany

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  • Sennheiser Mics e815S

    Sennheiser e815S Microphones give you rugged, reliable service. Their cardioid pickup pattern rejects rear-axis sounds. Sennheiser e8155s feature metal construction, internal shockmounting, hum compensating coil, neodymium ferrous magnet with boron, and on/off switch with on-lock. 80Hz-12kHz. Precision manufactured in Germany. FEATURES Dynamic mic Precision manufactured in Germany Cardioid pattern Metal construction Internal shockmounting Hum-compensating coil…

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  • Sennheiser Mics e 901

    Professional pre-polarized, half-cardioid, boundary layer condenser for bass drum, Leslie and low frequency instrument applications (1 lb 2.4 oz). Features Frequency response optimized for bass drum No stand needed — just lay it on a towel or pillow Standard XLR plug: no adaptor cable needed Capable of handling extremely high SPLs

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  • Sennheiser Mics e 902

    The cardioid e 902 is a dynamic instrument microphone especially designed for deep bass frequency instruments such as kick drums, bass guitar amps and tuba. Faithfully reproducing the lowest frequencies and handling the highest SPLs, the e 902 is your bottom end’s best friend. Features Frequency response optimized for kick drum Very fast attack Integrated…

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  • Sennheiser Mics e 904

    The cardioid e 904 is a dynamic instrument microphone specifically designed for drum applications. Featuring a very short body with integrated stand mount and a universal rim clip, the e 904 provides great sound without getting in the way in even the most crowded setups. Features Full, impressive, lively sound for drums and percussion Very…

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  • Sennheiser Mics e 905

    The cardioid e 905 has a high maximum SPL and an excellent transient response, suitable for a wide range of instruments and an ideal choice for snare drums. Features Impressive and full sound Very fast attack Short microphone body to facilitate optimal positioning by drums Integral stand mount Sturdy reinforced aluminum metal body

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  • Sennheiser Mics e 906

    The cardioid e 906 instrument microphone was especially designed for guitar amps and is also excellent for percussion and horns. Features Lively, full sound Very fast attack Flat shape is ideal for miking amp faces Three position switchable sound character: bright, moderate, dark Rugged metal body

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  • Sennheiser Mics e 914

    The e 914 is a high grade condenser microphone for very demanding applications. Its outstanding sound properties qualify the e 914 for highly sophisticated tasks. The e 914 is a perfect microphone for ambitious recordings and live performances. Its main areas of application are acoustic guitars, cymbals, percussion, overhead, orchestras, grand pianos etc . Features…

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  • Sennheiser Mics e935

    The e 914 is a high grade condenser microphone for very demanding applications. Its outstanding sound properties qualify the e 914 for highly sophisticated tasks. The e 914 is a perfect microphone for ambitious recordings and live performances. Its main areas of application are acoustic guitars, cymbals, percussion, overhead, orchestras, grand pianos etc . Features…

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  • Sennheiser Mics MD409

     

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  • Sennheiser Mics MD421

     

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  • Sennheiser Mics MD431

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  • MD441

     

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  • Sennheiser Mics MK4

    The MK 4 is a large-diaphragm true condenser microphone for professional studio recordings. Featuring fine resolution and outstanding sound quality, the MK 4 is easy to handle and excellent value for money, making it an ideal choice for professional project studios and home recordists. It features a 1″” true condenser capsule based on the acoustics…

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  • Sennheiser Mics MKE Platinum

    The Sennheiser MKE Platinum is a professional sub-miniature clip on microphone designed for broadcast and theatrical applications. The tiny capsule measures only 4.8mm in diameter and it’s omnidirectional polar pattern captures at a uniform frequency response at the direct and off-axis sections of the capsule. The MKE Platinum features a wide, flat frequency response that…

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  • Sennheiser Mics MKE 2

     

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  • Sennheiser Mics MKE 2 Gold

    The MKE 2 Gold sub-miniature omni-directional lavalier is ideal for television broadcast and theatrical productions. Its accurate frequency response produces natural, uncolored sound. A unique Umbrella Diaphragm delivers moisture-resistant performance with the identical high audio quality of the industry standard MKE 2 lavalier. Its size makes it not only unobtrusive and easy to conceal, but…

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  • Sennheiser Mics MKH 40

    The Sennheiser MKH 40 is a versatile main microphone, ideal for use in acoustically less perfect rooms. This highly sensitive cardioid condenser microphone features symmetrical transducer technology, ensuring that it has extremely low distortion. The MKH 40 also features extremely low self-noise as well as neutral directional characteristics, meaning you can expect to hear an…

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  • Sennheiser Mics MKH 416

    Designed for recording audio in film, radio, and television the MKH 416 from Sennheiser is a short shotgun interference microphone optimized for outdoor applications. It offers excellent directional control in a compact design with high consonant articulation and rejection of feedback. The unit is highly immune to humidity because of its RF condenser design. It…

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  • Sennheiser Mics e845S

    The Sennheiser e845s Dynamic Vocal Microphone is a great stage vocal mic with the convenience of an on/off switch! This super-cardioid, pressure gradient vocal mic features increased output level so it cuts through high on-stage sound levels, making it easy to mix. Low feedback and high SPL (>150dB) make it ideal for any stage application….

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  • Shure Mics 55sh

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  • Shure Mics Beta 181C

    The Beta 181/C has a cardioid pickup pattern, adding a combination of a broad frontal pickup spread and excellent off-axis sound rejection to its easy of positioning. What’s even better is that, like all Beta 181 models, the Beta 181/C has a switchable capsule, so you can pick up additional polar patterns to suite your…

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  • Shure Mics Beta52A

    The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and “”punch””, and delivers studio quality sound even at extremely high sound pressure levels. The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure…

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  • Shure Mics Beta 56

    The Shure BETA®56A microphone has a frequency response specifically tailored for drums and instruments. Its extremely uniform supercardioid pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is…

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  • Shure Mics Beta 56A

    The Shure BETA®56A microphone has a frequency response specifically tailored for drums and instruments. Its extremely uniform supercardioid pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is…

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  • Shure Mics Beta 57

     

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  • Shure Mics Beta 57A

    The Shure BETA®57A is a high output supercardioid dynamic microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off–axis tone coloration. Excellent for acoustic and electric instruments as well as for vocals,…

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  • Shure Mics Beta 58A

    You need top performance from your live vocal mic. It has to be ready for the job, day in and day out, and sound great every time. In other words, you need a Shure Beta 58A! Perfect for vocals in the live environment, this go-to dynamic mic gives you the ruggedness you need, while its…

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  • Shure Mics Beta 87

     

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  • Shure Mics Beta 91

     

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  • Shure Mics Beta 91A

    Shure’s outstanding Beta 91A half-cardioid condenser boundary microphone lets you capture a kick drum’s true punch, without taking up a lot of real estate onstage. In fact, the Beta 91A excels at picking up all kinds of low-frequency-intensive instruments; its response is tailored for bass frequencies. The Beta 91A’s integrated preamp makes it a very…

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  • Shure Mics Beta 98

     

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  • Shure Mics Beta 98D/C

    Need to maneuver your mic into a tight spot on the drums? Then you’ll love Shure’s Beta 98AD/C mini condenser microphone. Its diminutive size makes the Beta 98AD/C perfect for situations in which a full-sized mic just won’t fit – but, this mini mic doesn’t compromise on impressive, accurate sound. Its cardioid pickup pattern helps…

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  • Shure Mics Beta 98AMP

    The Shure BETA®98AMP is a precision-engineered miniature cardioid condenser microphone for professional sound reinforcement and studio recording. Features an integrated XLR preamplifier with a flexible gooseneck and the A75M Universal Microphone Mount for accurate placement in any configuration of toms, snares, or percussion. An extremely uniform cardioid polar pattern provides excellent gain-before-feedback, off-axis rejection of…

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  • Shure Mics KSM9

    Offering exceptional consistency across all frequencies, the Shure KSM9 vocal condenser microphone provides more gain before feedback, while decreasing proximity effect–revealing nuance and subtlety in a microphone optimized for the most demanding live environments. With its dual diaphragm design and switchable polar patterns, the KSM9 is the choice for the world’s most accomplished vocal performances….

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  • Shure Mics KSM27

    The Shure KSM27 Studio Microphone is a side-address condenser mic with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM27 has an externally biased, 1″” ultrathin, gold-layered, low mass Mylar diaphragm to provide superior transient response. An extremely low self-noise level and selectable frequency response deliver superb recording…

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  • Shure Mics KSM32

    Designed for studio use but rugged enough for live applications, the Shure KSM32 side-address condenser microphone with cardioid polar pattern features a permanently-biased 3/4-inch diaphragm, extremely low self-noise, and an extended frequency response specially tailored for vocal tracking and instrument recording.

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  • Shure Mics KSM44

    The Shure® KSM44 is a side-address condenser microphone with multiple polar patterns (cardioid, omnidirectional, bidirectional). Designed for studio use, the KSM44 has externally biased, dual 1-inch diaphragms, extremely low self-noise and an extended frequency response specially tailored for vocal tracking and instrument recording.

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  • Shure Mics KSM109

    The Shure KSM109 offers incredible performance for its price. It combines an extended frequency response for natural sound reproduction with a smooth high end and a tight, controlled low end. It’s all the mic you need for studio instrument recording. Features: A tight cardioid polar pattern Transformerless Class-A preamplifier circuitry design Outstanding transparency without crossover…

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  • Shure Mics KSM137

    The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

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  • Shure Mics MX391/C

    There’s never been smarter boundary microphones than the Microflex models from Shure. With many models to choose from, equipped with features like programmable, silent membrane switches, logic inputs and outputs, and LED indicators, Microflex Boundary microphones are the high-quality solution for a range of applications, such as altars, boardrooms and distance learning centers. Every Microflex…

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  • Shure Mics MX393/C

    There’s never been smarter boundary microphones than the Microflex models from Shure. With many models to choose from, equipped with features like programmable, silent membrane switches, logic inputs and outputs, and LED indicators, Microflex Boundary microphones are the high-quality solution for a range of applications, such as altars, boardrooms and distance learning centers. Every Microflex…

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  • Shure Mics MX412

     

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  • Shure Mics MX418/C

    The Shure MicroFlex MX418 is a fully adjustable cardioid gooseneck microphone designed for podium and desktop use in speech, presentations, conferences and more. The MicroFlex gooseneck microphone series offers the flexibility of removable capsules offering cardioid (included) supercardioid and omnidirectional polar patterns. In addition, the MicroFlex series features high sensitivity and balanced, transformerless output for…

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  • Shure Mics MX418D/C

    The Shure MicroFlex MX418 is a fully adjustable cardioid gooseneck microphone designed for podium and desktop use in speech, presentations, conferences and more. The MicroFlex gooseneck microphone series offers the flexibility of removable capsules offering cardioid (included) supercardioid and omnidirectional polar patterns. In addition, the MicroFlex series features high sensitivity and balanced, transformerless output for…

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  • Shure Mics MX418E/C

     

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  • Shure Mics PG48

    The PG48 Dynamic Vocal Microphone is a professional quality microphone designed to be used for spoken word and karaoke performance applications. With rugged durability and excellent sound, the PG48 comes with an on/off switch, swivel adapter, carrying pouch and choice of XLR cable, QTR ( 1⁄4”) cable or without cable. Features • Tailored frequency response…

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  • Shure Mics PG57

     

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  • Shure Mics PG58

     

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  • Shure Mics SM137

    The SM137 Cardioid Condenser Microphone from Shure is a small-diaphragm microphone that is well suited for instrument and vocal capturing in project recording and sound reinforcement situations. The SM137 features an ultra-thin diaphragm that yields a smooth high-end frequency response with a tight, controlled low-end. A -15 dB Pad switch minimizes distortion caused by transient…

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  • Shure Mics SM57

    The legendary Shure SM57 is exceptional for musical instrument pickup and vocals. With its bright, clean sound and contoured frequency response, the SM57 is ideal for live sound reinforcement and recording. The SM57 has an extremely effective cardioid pickup pattern that isolates the main sound source while minimizing background noise. In the studio, it is…

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  • Shure Mics SM58

    The legendary Shure SM58 vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. Its tailored vocal response for sound is a world standard for singing or speech. A highly effective, built-in spherical filter minimizes wind and breath “”pop”” noise. A unidirectional (cardioid) pickup pattern isolates the main sound…

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  • Shure Mics SM58S

    The SM58S Vocal Microphone from Shure features a unidirectional (cardioid) dynamic vocal design, suitable for professional vocal use in live performance, sound reinforcement, and studio recording. A built-in spherical filter minimizes wind and breath “”pop”” noise, and the cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The microphone offers durable…

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  • Shure Mics SM81

    The Shure SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals.

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  • Shure Mics SM91

    The SM91 Microphone is designed specifically for surface-mounted applications. It is a professional- quality permanently-biased condenser microphone with a half-cardioid directional pattern (cardioid in the hemi- sphere above the mounting surface.) The SM91 takes advantage of the well-known prin- ciple that, at a barrier or boundary, sound pressure doubles compared to its value if the…

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  • Shure Mics SM87

    One of the most popular performance microphones around, the SM87 stands out because of the special lovin’ it gives vocals. A three-stage pop filter virtually eliminates breath and wind noise, while a three-point shock mount takes care of any thumps, clunks and shrieks which might occur while you’re messing around with the stand. With all…

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  • Shure Mics SM98

    The SM98 is a miniature electret condenser microphone with a unidirectional (cardioid) pickup pattern. A smooth wide frequency response from 40 to 20,000 Hz allows the microphone to be extremely well adapted to pick up all kinds of musical instruments. A detachable 4.6m (15 ft) cable with Switchcraft Tini Q.G. connectors and a battery or…

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  • Shure Mics WH20

    The improved version of the WH10, the Shure WH20, is a rugged, lightweight, dynamic headset microphone that provides high-quality voice pickup. It fits securely for active microphone users, such as aerobics instructors and musicians, with low visibility for stage appearances. The WH20 is suitable for any voice communications application where comfort and reliability are required….

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  • Shure Mics WH30

    The Shure Model WH30 Condenser Headset Microphone is a light yet rugged headset microphone. Designed for vocalists and instrument-playing vocalists, the WH30 utilizes a high quality electret-condenser cartridge suitable for all applications where mobility, comfort, low microphone-visibility, and high sound quality are required. Because of its cardioid (unidirectional) pickup pattern, the WH30 provides isolation from…

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  • Shure Mics WL183

    The Shure WL183 is a miniature omnidirectional microphone designed for general recording and sound reinforcement application. The omnidirectional pattern provides a generous pick up at the perimeter of the capsule, enhancing ambient audio pick up while minimizing handling noise. The WL183 features a wide sensitivity and frequency response, reproducing speech with great detail and clarity….

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  • Shure Mics WL184

    The Shure WL184 is a super-cardioid subminiature lavalier microphone with signal characteristics ideal for general sound reinforcement applications. The super-cardioid pick up pattern provides adequate rejection of off-axis ambient signal that can cause noise and feedback. The low-profile subminiature design is ideal for applications where the microphone must be concealed. The hardwired 4 foot cable…

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  • Shure Mics WL185

    The Shure WL185 is a cardioid subminiature lavalier microphone with signal characteristics ideal for general sound reinforcement applications. The cardioid pick up pattern provides adequate rejection of off-axis ambient signal that can cause noise and feedback. The low-profile subminiature design is ideal for applications where the microphone must be concealed. The hardwired 4-foot cable terminates…

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  • Whirlwind Dis IMP 2

    The IMP 2 from Whirlwind is a rugged built, single channel, passive direct box. The unit converts a line or instrument level unbalanced signal to a low impedance microphone level balanced signal. Direct boxes are often referred to as “”DI”” boxes. This stands for “”Direct Injection”” as their main purpose is to convert unbalanced and/or…

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  • Whirlwind Dis pcDI

    The pcDI from Whirlwind is a dual channel direct box with RCA phono, 1/8″” TRS stereo mini, and 1/4″” TS connectors, designed to interface unbalanced stereo line sources with professional, balanced low impedance equipment. Output is via corresponding color coded XLRs. The pcDI features a ground lift switch per channel to help eliminate hum, a…

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locations

  • Clearwing Productions - WI

    Wisconsin 414 258 6333
    11101 W.Mitchell St.
    Milwaukee, WI 53214

  • Clearwing Productions - AZ

    Arizona 602 850 6333
    5640 S. 40th Street #1
    Phoenix, AZ 85040

  • Clearwing Productions - CO

    Colorado 303 232 3540
    4650 Leyden Street, Unit D
    Denver, Colorado 80216

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