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  • L-Acoustics K1

    The L-ACOUSTICS® K1 system has achieved international recognition and is today the prime choice of engineers for the largest stadium tours and outdoor festivals. Its sonic performance, its fully integrated system package and its rider friendliness are considered as the industry benchmarks. K1 combines a quad-amplified enclosure, a new K transducer arrangement and boosted resources…

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  • L-Acoustics K2

    L-ACOUSTICS® K2 provides the spectacular performance of K1 in a compact package. The versatility of the K2 system makes it ideal for both permanent installation and tours in theatre or stadium settings. The 3-way quad amplified design and transducers resources are some of K2’s features that highlight its superior ability to perform in various functions…

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  • L-Acoustics KARA

    KARA®(i) is modeled after the K1 stadium system, and performs at the highest level. It features a lightweight enclosure with a small footprint, and complies with rigging and sightline constraints. KARA®(i) provides many enhancements above the preceding generation of line sources: additional LF resources for increased bandwidth and coherence, upgraded directivity control in the horizontal…

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  • L-Acoustics KIVA

    Kiva is an ultra-lightweight modular line source that can be implemented with or without a low frequency extension, giving it a noteworthy ability to adapt to long throw rental production or fixed integration constraints. With its sleek, efficient, and unassuming design, this variable Wavefront Sculpture Technology line source provides an outstanding performance to format ratio….

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  • L-Acoustics ARCS WIDE/FOCUS

    The ARCS WIDE/FOCUS is augmented for medium-throw rental and installation applications It features a plug-and-play package, speedy set-up, and easy flying. It offers scalable directivity from 15 degrees x 90 degrees to 360 x 90 by 15 degree increments along with Fills, distributed systems, and FOH, central clusters. It provides innate LF resources with a…

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  • L-Acoustics ARCS

    L-ACOUSTICS ARCS offer the same performance advantages as V-DOSC and dV-DOSCTM all within a smaller footprint that is appropriate for both tours and fixed installation. ARCS fulfills criteria for Wavefront Sculpture Technology (WST), and thus provides exceptional clarity and supreme coherence with powerful, smooth, predictable coverage. ARCS is designed for tightly-wrapped arraying in single or…

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  • L-Acoustics ARCS II

    The ARCS® II is the full-range element of a constant curvature WST® (Wavefront Sculpture Technology) line source. The ARCS II loudspeaker enclosure is centered on a two-way active design with a minimal impedance of 8 ohms for both the HF and the LF section. It contains a 15” neodymium speaker in a bass-reflex tued enclosure…

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  • L-Acoustics KUDO

    With its dual DOSC® HF waveguide and K-LOUVER Modular Directivity Technology, KUDO® provides a great deal of versatility for arena and theatre systems. This amalgamation of technologies produces 8 directivity modes in both the horizontal and vertical planes and makes KUDO® ideal for a multitude of applications in terms of audience, geometry, and content. It features…

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  • L-Acoustics VDOSC

    V-DOSC® has transformed the loudspeaker industry with its exceptional sound solutions for large-format live reinforcement applications. L-ACOUSTICS® V-DOSC® is the premier full-frequency line source array centered on the principles of Wavefront Sculpture Technology®. V-DOSC® boasts an outstanding level of rider-friendliness for touring and installation projects. The internationally patented DOSC® waveguide is at the center of…

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  • L-Acoustics DVDOSC

    L-ACOUSTICS® dV-DOSCTM offers the same performance benefits as V-DOSC® and ARCS® all within a smaller footprint that is appropriate for both tours and fixed installation. Precise, predictable coverage along with exceptionally even frequency response and SPL are the result of the 120° horizontal coverage of dV-DOSC merged with the power of Wavefront Sculpture Technology® in…

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  • L-Acoustics MTD108P

    The L-ACOUSTICS® self-powered coaxial range provides a comprehensive integrated system to meet the loftiest expectations for audio with an extensive collection of professional sound reinforcement applications. The flexible and compact package integrates all the advantages of on-board amplification, digital signal processing (DSP) and the latest coaxial transducer technology. The P series decreases the costs of…

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  • L-Acoustics MTD108a

    L-ACOUSTICS® MTD 108a is a passive 2-way coaxial loudspeaker with an exceptionally small footprint and versatile packaging. The MTX 108a uses a 1” compression driver that is directly loaded by the 8” loudspeaker in a true coaxial alignment, and emits a coherent, single point source wavefront at all frequencies with stable imaging due to its…

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  • L-Acoustics 115XT HiQ

    The 115XT HiQ is the premier model of the L-ACOUSTICS® XT coaxial series, ideal for stage monitor and distributed FOH applications. It works as an active 2-way enclosure, over a frequency bandwidth from 50 Hz to 20 kHz, which can be brought down to 32 Hz by adding the SB18 subwoofer. The 115XT HiQ enclosure…

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  • L-Acoustics 12XT

    The 12XT active/passive cabinet is the mid-sized model of the L-ACOUSTICS® XT coaxial series. It has an operating frequency bandwidth of 55Hz to 20 kHz, which can be brought down to 32 Hz by adding the SB18 subwoofer. The 12XT enclosure features a 3” diaphragm compression driver coaxially loaded by a 12” low-frequency transducer that…

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  • L-Acoustics 5XT

    The 5XT is an extremely compact enclosure from the L-ACOUSTICS XT coaxial series. The 5XT loudspeaker enclosure is centered on a 2-way passive design with a minimal impedance of 16 ohms. It features a 1” diaphragm compression driver coaxially loaded by a 5È low-mid frequency transducer mounted in a bass-reflex tuned enclosure. The cabinet is…

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  • L-Acoustics MTD112

    The MTD112 is a passive loudspeaker that includes a 2″ compression driver directly loaded by the 12″ loudspeaker in a true coaxial alignment. The coaxial approach provides many benefits, including: total wave-front coherency at any frequency, identical horizontal and vertical overage, ideal matching of the directivity to semi-reverberant environments, single-point source radiation, and superior phase…

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  • Martin W3

    The W3 is an advanced full-range system realizing true 3-way performance from an enclosure just 28″ (711mm) tall. The low frequency driver is a fierce 15″ (380mm) device cooled by a heat exchange system to decrease power compression. Midrange is produced by an exclusive 6.5″ (165mm) mid horn that was designed to surmount the power…

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  • Martin LE700

    The Martin Audio LE700 employs differential dispersion horn techniques to outline a constant sound pressure level area in which a performer can move. The frequency response and tonal characteristics remain unaffected within this space. The monitor engineer can design EQ set-ups that ensure the artist’s movement area will have no problematical frequency changes that cause…

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  • Martin LE2100

    The Martin Audio LE2100 is a high-performance monitor created for large-stage applications where maximum SPL’s are required. It includes twin, high-specification 12” (300mm) low frequency drivers, a unique 6.5” (165mm) midrange device, and a 1” (25mm) exit compression driver mounted on a differential dispersion horn. Differential dispersion technology augments the space over which a constant…

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  • Martin W8C

    The W8C is at the heart of the Wavefront Touring “toolkit.” It can quickly be rigged to deliver exceptional performance and power in a compact configuration. It is a fully horn loaded 3-way system built to cover the frequency band from 120Hz-20kHz. Revolutionary horn design features a 12″ (305mm) low-mid horn operating from 120-750Hz and…

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  • Martin WSX

    The WSX is a folded horn subwoofer expressly created to replicate extremely deep bass frequencies with maximum efficiency, speed, and impact. It is designed to work with Martin Wavefront Series loudspeakers (such as the W8, W8C, and the W8 line array enclosures) in the most difficult touring circumstances that necessitate tremendous levels of bass. It…

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  • Meyer UPA-1P

    The UPA-1P loudspeaker delivers high power output, low distortion, and consistent polar response in a small, vented 2-way enclosure. The loudspeaker has a 12-inch cone low-frequency driver and a 3-inch-diaphragm compression driver coupled with a 100-degree horizontal by 40-degree vertical constant-Q horn. The versatile UPA-1P features many sound reinforcement applications, as a main front-of-house loudspeaker…

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  • Meyer UPJ-1P

    The UPJ-1P unites the benefits of self-powered systems with the placement and arraying versatility provided by a VariO rotatable horn. Though notably compact and lightweight, the UPJ-1P delivers a powerful peak power output of 128 dB SPL at 1 meter, making it appropriate to use singly as a primary loudspeaker, or in multi-cabinet horizontal or…

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  • Meyer UPM-1P

    The UPM-1P is an extraordinarily compact, self-powered professional sound reinforcement loudspeaker system. It is perfect for applications necessitating a small and unobtrusive loudspeaker that can also deliver high sound pressure levels, exceptionally low distortion, and uniform directional control. The UPM-1P loudspeaker provides vocal-range reinforcement as a small PA system, or as a fill or delay…

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  • Meyer UPQ-2P

    The self-powered UPQ-2P narrow coverage loudspeaker is a member of the award-winning UltraSeries family of loudspeakers. The UPQ-2P delivers exceptionally high power output and low distortion along with a focused beam width. It is perfect for small to mid-sized venues, houses of worship, theatres, and nightclubs, and works as either a stand-alone loudspeaker or as…

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  • Meyer UPQ-1P

    The UPM-1P is an extraordinarily compact, self-powered professional sound reinforcement loudspeaker system. It is perfect for applications necessitating a small and unobtrusive loudspeaker that can also deliver high sound pressure levels, exceptionally low distortion, and uniform directional control. The UPM-1P loudspeaker provides vocal-range reinforcement as a small PA system, or as a fill or delay…

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  • d&b M4

    The M4 is a 2-way high-performance stage monitor that produces 134/138/138 dB SPL when driven passively with the D6/D12/D80 respectively. When driven actively with the D12/D80, it produces 140 dB SPL. The constant directivity dispersion of 50° x 70° (h x v) produces a precise, well-defined coverage area on stage. When it is used vertically,…

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  • d&b M2

    The M2 is a 2-way high-performance stage monitor, with a peak sound pressure level of 143 dB. If features a short cabinet, reaches a constant directivity of 45° x 60° > 600 Hz, and drastically increases the feedback stability margin. Along with the cabinets’ baffle angle of 40° (to floor), the dispersion performance achieves a…

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  • QSC K12

    The QSC K12 is an 12′ 2-Way Active Loudspeaker among the QSC K series of lightweight powered loudspeaker systems. Each model is fitted with the identical 1.75″ HF device (full range models) and woofers of the same exceptional quality for unequaled performance, no matter the size of speaker.

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  • QSC K8

    The QSC K8 is an 8″ 2-Way Active Loudspeaker among the QSC K series of lightweight powered loudspeaker systems. Each model is fitted with the identical 1.75″ HF device (full range models) and woofers of the same exceptional quality for unequaled performance, no matter the size of speaker.

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  • JBL VRX932LAP

    The VRX932LAP is a power-driven, lightweight, efficiently sized 12″ two-way line-array speaker system created for use in arrays of up to five units. VRX932LAP is the ultimate choice when a quick and simple setup is crucial, and when line-array performance is required but the venue isn’t suited for the long-throw features of larger line-arrays.  

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  • L-Acoustics SB28

    The SB28 enclosure is a subwoofer completely compatible with the K1, KUDO®, V-DOSC® and ARCS® systems, reducing the combined system operating range down to 25 Hz. The SB28 includes two 18’’ direct radiating LF transducers integrated into a bass-reflex tuned enclosure. The 18’’ transducers deliver an outstanding cone excursion capability with low thermal compression, even…

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  • L-Acoustics KS28

    High-Power Subwoofer +3 dB SPL (vs. SB28) 79 kg / 174 lbs Fast and captive rigging Exclusively driven by LA12X L-Acoustics subwoofers complement systems in applications where extended bandwidth is required. All subs incorporate high excursion drivers, ultra-low vibration walls and laminar airflow L-Vents with a flared profile, resulting in dramatic reduction of port noise,…

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  • L-Acoustics SB15m

    High-power ultra compact subwoofer 40 Hz LF limit, high power handling, low distortion and thermal compression Progressive vent for increased peak SPL, and minimal turbulence noise LA4X/LA8 control and protection DSP presets for cadioid mode (symmetrical and asymmetrical) Compatible with XT series and KIVA Grey brown, pure white + architectural RAL program L-Acoustics subwoofers complement…

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  • L-Acoustics SB18

    The universal subwoofer SB18 was created for modular WST® line sources and coaxial systems, and lowers the merged system operating range down to 32 Hz. Its small footprint and integrated rigging make it exceptionally compatible to flown coupled configurations with KARA®. The association of an explicitly designed 18’’ transducer with a dual bass-reflex tuned enclosure…

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  • L-Acoustics KILO

    KILO is the Low Frequency addition to the KIVA line source array system. Operating from 50 Hz, the cabinet has a single 12” neodymium driver in a dual-chamber bass reflex tuned enclosure. The KILO enclosure generates an omni-directional coverage pattern. Adding KILO Elements within the line source array increasingly polarizes the vertical coverage towards the…

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  • L-Acoustics K1-SB

    The K1-SB is a subwoofer accompaniment for the K1 or K2 line sources. Operating down to 30Hz, it is possible to augment the sub-low resources of the systems by reinforcing the contour or enhancing the throw capability of the low end. The K1-SB includes two 15” transducers in a bass-reflex tuned enclosure. It offers outstanding…

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  • L-Acoustics DVSUB

    The L-Acoustics® dV-SUB is the complementary subwoofer for dV-DOSC™. It offers three 15-inch transducers loaded in a dual-chamber vented bandpass configuration. The dV-SUB handles power up to 1200 Wrms and response to 35Hz. It’s perfect for applications requiring maximum low-end impact from an enclosure with an exceptionally small footprint.

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  • Martin S218

    The powerful Blackline S218 sub-bass system is created to work with large-scale Blackline F12 and F15 systems to increase the total low frequency output power. It also works as the low frequency section of a bi-amped or tri-amped H2/H3 system. The S218 delivers good mid-bass punch with extended sub-bass output from two direct radiating 18”…

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  • JBL VRX918SP

    Including a 2268FF neodymium magnet, patented Differential Drive®, and 18” woofer in a front-loaded enclosure with vents, the VRX918SP is a power-driven subwoofer system that can easily be suspended. It was created particularly for use in arrays with the VRX932LAP Line Array speaker and VRX-AF Array Frame, but can additionally be used in arrays that…

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  • Meyer 700HP

    The Meyer Sound 700-HP offers ultrahigh-power in a compact subwoofer. The 700-HP’s power and bandwidth manage high continuous operating levels and extreme transient information with minimal distortion in its operating frequency range. Every part of the 700-HP’s system is designed for efficiency allowing it to effortlessly reproduce low frequency transient information. The transducers, amplification, and…

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  • QSC KW181

    The QSC KW181 is an 18-inch, 1000 watt powered PA subwoofer. Sturdy and built to survive the harsh conditions of the road, the KW181 subwoofer is outfitted with low-noise casters and a threaded speaker pole.

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  • Avid S6L

    S6L delivers unprecedented processing capabilities with over 300 processing channels and more plug-ins and Pro Tools track counts than ever before. S6L provides steadfast performance and dependability with its progressive engine design. With highly proficient touchscreen workflows and effortless scalability, it is perfectly suited to even the most demanding live productions. Like all VENUE systems, S6L…

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  • AVID VENUE S6L-32D

    155 LBS (70 KG) ; 15.3″H X 51.3″W X 31″D

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  • Allen & Heath dLive

    S5000 Control Surface DM64 Mix Rack DX32 Expander XCVI Core The power of dLive emanates from the XCVI Core – pioneered by the Allen & Heath R&D team using next generation FPGA technology, with 36 parallel virtual processing cores generating enough power for 160×64 channels of processing at 96kHz sampling rate. Six parallel mixing engines…

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  • AVID Venue Profile

    The Profile console is a compact alternate to the bigger D-Show, Avid’s original leading console. The Profile is completely compatible with FOH Rack, Stage Rack, Mix Rack, and VENUE software. Profile provides exceptional sound quality, versatility, and dependability for small- to mid-sized settings such as theaters, houses of worship, corporate events, and theaters.

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  • AVID Venue SC48

    SC48 is a compact console that delivers powerful sound quality and rock-solid dependability. It integrates all I/O, digital signal processing, and tactile control into a single console, making it one of the most cost-effective and transportable Avid live systems. The SC48 offers studio-quality plug-in support, a built-in Pro Tools recording interface, and remarkable portability. It…

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  • DiGiCo SD10

    The SD10 shares many features with the flagship SD7, such as Stealth Digital Processing and floating-point Super FPGA technology. It delivers a comprehensive feature set that will fulfill the needs of any front-of-house or monitor engineer. SD Ten has three banks of twelve motorized faders and one master fader, each with its own high resolution…

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  • DiGiCo SD9

    The SD9 is an incredibly versatile, fully integrated system powered by Stealth Digital Processing and floating point Super FPGA technology. This compact, lightweight console was created to fit a variety of applications, so it is well-suited for both touring and fixed installation in theatres, houses of worship, schools, conference centers, and more. The SD9 delivers…

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  • DiGiCo SD5

    The SD5 features 37 faders in three handy banks of twelve with one master fader and three 15” full-color touch screens for speedy access and multi-user applications. There are also two interactive dynamic metering displays (IDMs) as used in the SD7. The master screen is centrally positioned and integrated into the work surface meter bridge…

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  • Midas Pro2

    The PRO2 works in unison with any of the MIDAS digital I/O units. Each PRO2 Touring Package includes a MIDAS DL251 stage box that provides 48 MIDAS mic/line inputs and 16 analogue XLR outputs on stage, in addition to the PRO2’s 8 mic/line inputs and 16 XLR analogue outputs on the back of the console…

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  • Midas M-32

    Utilizing more than 40 years of experience constructing first-class mixing consoles, the Midas M32 digital console renews the possibilities of a medium-format mixing desk. From its sophisticated and resilient industrial design to its exceptional audio performance, every feature of the M32 console characterizes the advanced technology of Midas while upholding the feel and user-friendly setup…

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  • Midas XL250

    XL250 is a dedicated monitor console that features an intuitive, quick, and responsive control surface, the layout and Operation of which can be understood straightaway. The XL250 can quickly be reconfigured for ear monitoring, wedge monitoring, or combinations of both. This is accomplished without compromising the control functions or layout by utilizing configurable busses and…

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  • Midas Pro1

    The PRO1 digital console features a lightweight aluminum frame and field-replaceable power supply. PRO1 is easily portable and packs a lot of power in a compact digital console. PRO1 is simple to configure and operate. Engineers who are new to MIDAS digital can take advantage of the PRO1’s sample-synchronous audio quality and mix from well…

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  • Soundcraft Series Two

    Soundcraft’s Series TWO is a classic live console feature set augmented with groundbreaking engineering and the look a big-console at a budget-friendly price. Series TWO exemplifies the classic 8-group, 8-Aux format pioneered for live sound by Soundcraft in the 1970s that has since become the standard in mid-range console specification. Additionally, there are new features…

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  • Yamaha QL1

    The compact QL1 console delivers all-in-one mixing, processing, and routing capability for small to medium scale live sound and installation applications. It features exceptional sound reinforced by sonically superior internal processing capabilities, operation that effortlessly adjusts to the requirements of nearly any setting or application, and built-in Dante networking that facilitates flexible system configuration. The…

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  • Yamaha CL5

    The CL5 is perfect for a diverse spectrum of live sound systems with its three-section fader layout for efficient hands-on control. Yamaha CL series digital mixing consoles embody a new level of sophistication. They provide a pioneering experience in accessible mixing, plus sonic purity with sound shaping capabilities that will give the most visionary engineer…

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  • Midas Heritage 3000

    The Heritage 3000 provides exceptional concert sound for Front of House and monitor applications. The versatile H3000 features a distinctive, intuitive, 3-position switching system that changes the consoles output functions according to the application. It includes a mic amplifier that further augments the XL4 design creating a CMR improvement of +30dB while maintaining the XL4’s…

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  • Yamaha M7CL-48

    The M7CL-48 digital mixing console features a remarkable array of innovative ideas. The “Centralogic™” control interface is as user-friendly as an analog console, and in-depth access management facilities are especially advantageous for installations. An extraordinary range of functions is integrated into a much smaller footprint than an analog console of comparable capacity would be. The…

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  • Yamaha PM5D-RH

    The PM5D-RH provides exceptional sound and flexibility in a fairly compact, lightweight system. It is easy to use and delivers remarkable sound, control, and dependability without requiring additional outboard processing gear. Programming is intuitive and it has an outstanding recall capability. It delivers a system solution that can augment the total sound production process from…

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  • Yamaha DM1000

    The small-footprint DM1000 Digital Console provides 24-bit/96 kHz digital audio processing and 48-channel simultaneous mixing. The DM1000 features multi-track recording, 2-channel mix- down, innovative surround sound production, and remote control function for DAWs (Digital Audio Workstations).

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  • Motorola PR400 Portable Two-Way Radio

    The PR400TM portable two-way radio is perfect for new two-way radio users, small organizations, and firms that want an affordable solution with a maximum number features. It gives a wide choice of channels, and is LTR-capable.  Innovative LTR trunking Broad calling range Rapid channel access Outstanding privacy High user and talkgroup capacity Up to 10…

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  • RTS Intercom SPK-300

    Two-channel select portable speaker user station. Can be used as a public listen box via built in speaker or privately through the headset connection. Features channel select switch, call light, speaker on/off switch and dual-purpose portable desktop volume control. Packaged in a rugged all metal housing perfect for tabletop operation. The SPK-300L comes with a…

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  • RTS Intercom SAP 612

    The Model SAP612 Source Assign Panel independently assigns each of 24 TW channels (12, two-channel TW user station strings) to any one of six busses, or common channels. All channels assigned to a common buss channel can intercommunicate and exchange call signals. A typical application is diagrammed in Figure 1. One (1) to three (3)…

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  • RTS Intercom PS15

    The Model PS15 Power Supply is designed to work within theTW Intercom System. The PS15is suitable for small to medium sized TW Intercom Systems. The unit is self-contained and features two-channel opern- tion: one “”wet”” channel with 24 to 32 volts DC and one “”dry”” channel without voltage potential. Each channel provides an audio termination…

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  • RTS Intercom MCE 325

    The MCE-325 is a 4-channel, programmable intercom station. It may be used as a headset station or, with the addition of the MCS325 Modular Speaker, as a speaker station. It may be mounted in a console or equipment rack via optional mounting kits. The MCE-325 can be used with either 2-wire or 4-wire intercom lines,…

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  • RTS Intercom BP 325

    Call Function Headset Microphone Kill Detect Powered Externally

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  • Motorola 2-Way Radios CP 185

    Ideal for educational institutions, retail and hospitality businesses, service and manufacturing industries and many other demanding, professional applications, the Motorola CP185™ brings you a robust two-way radio solution. The CP185 has an extensive feature set including built-in voice scrambling for increased privacy, VOX capability for hands-free communication, 5 programmable buttons and X-Pand™ Technology to provide…

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  • Motorola 2-Way Radios CP200

    The CP200 portable two-way radio offers increased communication flexibility with features such as push-to-talk ID and selective call. Powerful audio output penetrates noisy environments, providing clear, crisp audio at any volume. A lightweight, ergonomic design makes this radio comfortable to carry and operate. To provide the range that’s best for your business, the CP200 radio…

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  • Motorola 2-Way Radios PR200

    2-way Radios: PR200, CP200, CP185

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  • HME DX210 4-UP System DX210 4-UP System

    The HME DX210 offers the perfect blend of wireless intercom performance, system compatibility with wired intercom systems, and ease of use. Operating in the 2.4GHz band, the DX210 delivers exceptional sound clarity and enables interference-free communication for highly demanding productions. The HME DX210 is a newly-designed, two-channel intercom system that has advanced the capabilities of…

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  • HME Wireless Intercom BS200

    BS200 Base Station Highlights 2.4 GHz license-free operation Approved for worldwide use -no need to coordinate frequency operation with other wireless systems. Secure Communication Digital Frequency Hopping Spread Spectrum with encrypted signals secures communication so people outside the system can’t hear your conversations. Triple Diversity Provides the strongest signal possible for clear, seamless and uninterrupted…

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  • HME Wireless Intercom BP200

    HME DX Series BP200 Beltpack Highlights: Super Compact Design makes the beltpack the industry’s lightest, at only 7.4 ounces (0.21 kg). Rechargeable Lithium-Ion Batteries provide up to 20 hours of beltpack operation with each charge. Internal Antennas are housed inside the beltpack for extra protection and durability. Voice Prompts inform users of status changes and…

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  • Clear Com Intercom SB-704 Wired Intercom

    4-Channel Switchboard Main Station – 5-channel X 10 station assignment matrix, no speaker – with built-in 2-amp power supply, rack mount (2RU) SB-704 includes all of the features of the MS-704, with a 4 x10 assignment matrix in place of the internal speaker (external speaker required for station monitoring). The station features a ten-position slide…

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  • Clear Com Intercom MS-702 Wired Intercom

    2-Channel Headset/Speaker Main Station with built-in 2-amp power supply, rack mount (1RU) – UL Listed Compact, feature-laden, single rack-space intercom main station supports up to 40 RS-701 beltpacks, 10 speaker stations or 12 headset stations on two channels. Other features include: – Channel A-B linking – Program input with individual channel level controls – Remote…

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  • Clear Com Intercom FL7 Wired Intercom

    Call Signal Flasher Provides Visual And/Or Audible Indication of a Call Signal New LED design with dimmer. Provides both a visual and audible indication of a call signal on the intercom channel. Frontpanel mode switch selects flasher, ring or both. Allows control of both tone volume and light brightness.

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  • Clear Com Intercom CC-400 Wired Intercom

    The CC-400 double-ear headset features high ambient-noise attenuation headphones and a hyper-cardioid dynamic microphone that provide high quality audio. The headset has a flexible design and soft-ear pads to offer superior comfort. Able to rotate 300 degrees, the microphone boom acts as an On/Off switch for quick microphone muting.

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  • Clear Com Intercom CC-300 Wired Intercom

    The CC-300 single-ear headset features high ambient-noise attenuation headphones and a hyper-cardioid dynamic microphone that provide high quality audio. The headset has a flexible design and a soft-ear pad to offer superior comfort. Able to rotate 300 degrees, the microphone boom acts as an On/Off switch for quick microphone muting.

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  • Clear Com Intercom RS-702 Wired Intercom

    The RS-702 is a two-channel analog beltpack with an XLR-6 line connector and XLR-4M headset connector. A mic preamp with a dynamic range of 130 db enables intelligible voice communication for every volume level, from a whisper to a shout. The beltpack also combines high headroom, low-noise audio and shaped frequency contour (Clear-Com Sound) to…

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  • Clear Com Intercom RS-701 Wired Intercom

    The RS-701 is a single-channel analog beltpack with an XLR-3 line connector and XLR-4M headset connector. A mic preamp with a dynamic range of 130 db enables intelligible voice communication for every volume level, from a whisper to a shout. The beltpack also combines high headroom, low-noise audio and shaped frequency contour (Clear-Com Sound) to…

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  • Clear Com Intercom FreeSpeak II Wireless Intercom

    FreeSpeak II™ is the next generation distributed wireless solution that operates in multiple world-wide license-free frequency bands: 1.897-1.933GHz and 2.4GHz. This high performance wireless intercom system is designed for extensive communication in large-scale operations. Its ability to maintain a strong and continuous wireless connection across an expansive coverage area while providing crystal-clear digital audio makes…

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  • BTR800 Wireless Intercom BTR800 Wireless Intercom

    THE BTR-800 Wireless Intercom’s backlit base station LCD enables easy monitoring of the belt pack’s status. Base stations can be mounted on a table or a rack. Belt pack batteries last up to 12-14 hours, and the unit is housed in a durable, weather and shock resistant die cast magnesium case. ClearScan function automatically locates…

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  • BTR 700 BTR 700

    THE BTR-700’s backlit base station LCD enables easy monitoring of the belt pack’s status. Base stations can be mounted on a table or a rack. Belt pack batteries last up to 12-14 hours, and the unit is housed in a durable, weather and shock resistant die cast magnesium case. ClearScan function automatically locates the best…

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  • Whirlwind Dis pcDI

    The pcDI from Whirlwind is a dual channel direct box with RCA phono, 1/8″” TRS stereo mini, and 1/4″” TS connectors, designed to interface unbalanced stereo line sources with professional, balanced low impedance equipment. Output is via corresponding color coded XLRs. The pcDI features a ground lift switch per channel to help eliminate hum, a…

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  • Whirlwind Dis IMP 2

    The IMP 2 from Whirlwind is a rugged built, single channel, passive direct box. The unit converts a line or instrument level unbalanced signal to a low impedance microphone level balanced signal. Direct boxes are often referred to as “”DI”” boxes. This stands for “”Direct Injection”” as their main purpose is to convert unbalanced and/or…

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  • BSS Dis AR133

    The unit includes phantom power and battery supplies as standard. Should the phantom power from the console fail or be accidentally switched off, the AR-133 automatically switches over to the internal 9V battery providing uninterrupted use. The unit is housed in a rugged aluminum extrusion case, with robust polyurethane end-cheeks which give the AR-133 a…

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  • Radial DIs ProDI (SINGLE CHANNEL PASSIVE DIRECT BOX?)

    The ProDI from Radial Engineering is a high-quality, single channel, ultra-compact passive direct box, specifically developed to allow regional sound companies and project studios access to the quality of a Radial direct box at a more affordable price point. The ProDI is a great choice for bass and acoustic guitar. The unit features a custom-made…

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  • Radial Dis JPC (STEREO PC-AV ACTIVE DIRECT BOX?)

    The JPC from Radial Engineering is a stereo direct box that has been specifically designed for connecting computer sound cards and other consumer electronic products to a professional sound system. It combines the advantages of transformer-isolated inputs with an active drive circuit. Transformer coupled inputs isolate the source from the destination. This eliminates 60-cycle hum…

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  • Radial DIs JDI

    Giving you 2 passive channels for stereo or dual mono DI applications, the JDI Stereo Passive Direct Box from Radial Engineering features Jensen transformers that balance your signal and lower its impedance for driving long cables. The unit boasts a flat frequency response from 10 Hz to 40 kHz, allowing the natural sound of your…

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  • Radial Dis J48

     

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  • Shure Mics WL185

    The Shure WL185 is a cardioid subminiature lavalier microphone with signal characteristics ideal for general sound reinforcement applications. The cardioid pick up pattern provides adequate rejection of off-axis ambient signal that can cause noise and feedback. The low-profile subminiature design is ideal for applications where the microphone must be concealed. The hardwired 4-foot cable terminates…

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  • Shure Mics WL184

    The Shure WL184 is a super-cardioid subminiature lavalier microphone with signal characteristics ideal for general sound reinforcement applications. The super-cardioid pick up pattern provides adequate rejection of off-axis ambient signal that can cause noise and feedback. The low-profile subminiature design is ideal for applications where the microphone must be concealed. The hardwired 4 foot cable…

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  • Shure Mics WL183

    The Shure WL183 is a miniature omnidirectional microphone designed for general recording and sound reinforcement application. The omnidirectional pattern provides a generous pick up at the perimeter of the capsule, enhancing ambient audio pick up while minimizing handling noise. The WL183 features a wide sensitivity and frequency response, reproducing speech with great detail and clarity….

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  • Shure Mics WH30

    The Shure Model WH30 Condenser Headset Microphone is a light yet rugged headset microphone. Designed for vocalists and instrument-playing vocalists, the WH30 utilizes a high quality electret-condenser cartridge suitable for all applications where mobility, comfort, low microphone-visibility, and high sound quality are required. Because of its cardioid (unidirectional) pickup pattern, the WH30 provides isolation from…

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  • Shure Mics WH20

    The improved version of the WH10, the Shure WH20, is a rugged, lightweight, dynamic headset microphone that provides high-quality voice pickup. It fits securely for active microphone users, such as aerobics instructors and musicians, with low visibility for stage appearances. The WH20 is suitable for any voice communications application where comfort and reliability are required….

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  • Shure Mics SM98

    The SM98 is a miniature electret condenser microphone with a unidirectional (cardioid) pickup pattern. A smooth wide frequency response from 40 to 20,000 Hz allows the microphone to be extremely well adapted to pick up all kinds of musical instruments. A detachable 4.6m (15 ft) cable with Switchcraft Tini Q.G. connectors and a battery or…

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  • Shure Mics SM91

    The SM91 Microphone is designed specifically for surface-mounted applications. It is a professional- quality permanently-biased condenser microphone with a half-cardioid directional pattern (cardioid in the hemi- sphere above the mounting surface.) The SM91 takes advantage of the well-known prin- ciple that, at a barrier or boundary, sound pressure doubles compared to its value if the…

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  • Shure Mics SM87

    One of the most popular performance microphones around, the SM87 stands out because of the special lovin’ it gives vocals. A three-stage pop filter virtually eliminates breath and wind noise, while a three-point shock mount takes care of any thumps, clunks and shrieks which might occur while you’re messing around with the stand. With all…

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  • Shure Mics SM81

    The Shure SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals.

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  • Shure Mics SM58S

    The SM58S Vocal Microphone from Shure features a unidirectional (cardioid) dynamic vocal design, suitable for professional vocal use in live performance, sound reinforcement, and studio recording. A built-in spherical filter minimizes wind and breath “”pop”” noise, and the cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The microphone offers durable…

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  • Shure Mics SM58

    The legendary Shure SM58 vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. Its tailored vocal response for sound is a world standard for singing or speech. A highly effective, built-in spherical filter minimizes wind and breath “”pop”” noise. A unidirectional (cardioid) pickup pattern isolates the main sound…

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  • Shure Mics SM57

    The legendary Shure SM57 is exceptional for musical instrument pickup and vocals. With its bright, clean sound and contoured frequency response, the SM57 is ideal for live sound reinforcement and recording. The SM57 has an extremely effective cardioid pickup pattern that isolates the main sound source while minimizing background noise. In the studio, it is…

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  • Shure Mics SM137

    The SM137 Cardioid Condenser Microphone from Shure is a small-diaphragm microphone that is well suited for instrument and vocal capturing in project recording and sound reinforcement situations. The SM137 features an ultra-thin diaphragm that yields a smooth high-end frequency response with a tight, controlled low-end. A -15 dB Pad switch minimizes distortion caused by transient…

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  • Shure Mics PG58

     

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  • Shure Mics PG57

     

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  • Shure Mics PG48

    The PG48 Dynamic Vocal Microphone is a professional quality microphone designed to be used for spoken word and karaoke performance applications. With rugged durability and excellent sound, the PG48 comes with an on/off switch, swivel adapter, carrying pouch and choice of XLR cable, QTR ( 1⁄4”) cable or without cable. Features • Tailored frequency response…

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  • Shure Mics MX418E/C

     

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  • Shure Mics MX418D/C

    The Shure MicroFlex MX418 is a fully adjustable cardioid gooseneck microphone designed for podium and desktop use in speech, presentations, conferences and more. The MicroFlex gooseneck microphone series offers the flexibility of removable capsules offering cardioid (included) supercardioid and omnidirectional polar patterns. In addition, the MicroFlex series features high sensitivity and balanced, transformerless output for…

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  • Shure Mics MX418/C

    The Shure MicroFlex MX418 is a fully adjustable cardioid gooseneck microphone designed for podium and desktop use in speech, presentations, conferences and more. The MicroFlex gooseneck microphone series offers the flexibility of removable capsules offering cardioid (included) supercardioid and omnidirectional polar patterns. In addition, the MicroFlex series features high sensitivity and balanced, transformerless output for…

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  • Shure Mics MX412

     

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  • Shure Mics MX393/C

    There’s never been smarter boundary microphones than the Microflex models from Shure. With many models to choose from, equipped with features like programmable, silent membrane switches, logic inputs and outputs, and LED indicators, Microflex Boundary microphones are the high-quality solution for a range of applications, such as altars, boardrooms and distance learning centers. Every Microflex…

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  • Shure Mics MX391/C

    There’s never been smarter boundary microphones than the Microflex models from Shure. With many models to choose from, equipped with features like programmable, silent membrane switches, logic inputs and outputs, and LED indicators, Microflex Boundary microphones are the high-quality solution for a range of applications, such as altars, boardrooms and distance learning centers. Every Microflex…

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  • Shure Mics KSM9

    Offering exceptional consistency across all frequencies, the Shure KSM9 vocal condenser microphone provides more gain before feedback, while decreasing proximity effect–revealing nuance and subtlety in a microphone optimized for the most demanding live environments. With its dual diaphragm design and switchable polar patterns, the KSM9 is the choice for the world’s most accomplished vocal performances….

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  • Shure Mics KSM44

    The Shure® KSM44 is a side-address condenser microphone with multiple polar patterns (cardioid, omnidirectional, bidirectional). Designed for studio use, the KSM44 has externally biased, dual 1-inch diaphragms, extremely low self-noise and an extended frequency response specially tailored for vocal tracking and instrument recording.

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  • Shure Mics KSM32

    Designed for studio use but rugged enough for live applications, the Shure KSM32 side-address condenser microphone with cardioid polar pattern features a permanently-biased 3/4-inch diaphragm, extremely low self-noise, and an extended frequency response specially tailored for vocal tracking and instrument recording.

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  • Shure Mics KSM27

    The Shure KSM27 Studio Microphone is a side-address condenser mic with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM27 has an externally biased, 1″” ultrathin, gold-layered, low mass Mylar diaphragm to provide superior transient response. An extremely low self-noise level and selectable frequency response deliver superb recording…

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  • Shure Mics KSM109

    The Shure KSM109 offers incredible performance for its price. It combines an extended frequency response for natural sound reproduction with a smooth high end and a tight, controlled low end. It’s all the mic you need for studio instrument recording. Features: A tight cardioid polar pattern Transformerless Class-A preamplifier circuitry design Outstanding transparency without crossover…

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  • Shure Mics KSM137

    The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

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  • Shure Mics Beta 98AMP

    The Shure BETA®98AMP is a precision-engineered miniature cardioid condenser microphone for professional sound reinforcement and studio recording. Features an integrated XLR preamplifier with a flexible gooseneck and the A75M Universal Microphone Mount for accurate placement in any configuration of toms, snares, or percussion. An extremely uniform cardioid polar pattern provides excellent gain-before-feedback, off-axis rejection of…

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  • Shure Mics Beta 98D/C

    Need to maneuver your mic into a tight spot on the drums? Then you’ll love Shure’s Beta 98AD/C mini condenser microphone. Its diminutive size makes the Beta 98AD/C perfect for situations in which a full-sized mic just won’t fit – but, this mini mic doesn’t compromise on impressive, accurate sound. Its cardioid pickup pattern helps…

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  • Shure Mics Beta 98

     

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  • Shure Mics Beta 91A

    Shure’s outstanding Beta 91A half-cardioid condenser boundary microphone lets you capture a kick drum’s true punch, without taking up a lot of real estate onstage. In fact, the Beta 91A excels at picking up all kinds of low-frequency-intensive instruments; its response is tailored for bass frequencies. The Beta 91A’s integrated preamp makes it a very…

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  • Shure Mics Beta 91

     

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  • Shure Mics Beta 87

     

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  • Shure Mics Beta 58A

    You need top performance from your live vocal mic. It has to be ready for the job, day in and day out, and sound great every time. In other words, you need a Shure Beta 58A! Perfect for vocals in the live environment, this go-to dynamic mic gives you the ruggedness you need, while its…

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  • Shure Mics Beta 57A

    The Shure BETA®57A is a high output supercardioid dynamic microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off–axis tone coloration. Excellent for acoustic and electric instruments as well as for vocals,…

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  • Shure Mics Beta 57

     

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  • Shure Mics Beta 56A

    The Shure BETA®56A microphone has a frequency response specifically tailored for drums and instruments. Its extremely uniform supercardioid pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is…

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  • Shure Mics Beta 56

    The Shure BETA®56A microphone has a frequency response specifically tailored for drums and instruments. Its extremely uniform supercardioid pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is…

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  • Shure Mics Beta52A

    The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and “”punch””, and delivers studio quality sound even at extremely high sound pressure levels. The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure…

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  • Shure Mics Beta 181C

    The Beta 181/C has a cardioid pickup pattern, adding a combination of a broad frontal pickup spread and excellent off-axis sound rejection to its easy of positioning. What’s even better is that, like all Beta 181 models, the Beta 181/C has a switchable capsule, so you can pick up additional polar patterns to suite your…

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  • Shure Mics 55sh

     

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  • Sennheiser Mics e845S

    The Sennheiser e845s Dynamic Vocal Microphone is a great stage vocal mic with the convenience of an on/off switch! This super-cardioid, pressure gradient vocal mic features increased output level so it cuts through high on-stage sound levels, making it easy to mix. Low feedback and high SPL (>150dB) make it ideal for any stage application….

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  • Sennheiser Mics MKH 416

    Designed for recording audio in film, radio, and television the MKH 416 from Sennheiser is a short shotgun interference microphone optimized for outdoor applications. It offers excellent directional control in a compact design with high consonant articulation and rejection of feedback. The unit is highly immune to humidity because of its RF condenser design. It…

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  • Sennheiser Mics MKH 40

    The Sennheiser MKH 40 is a versatile main microphone, ideal for use in acoustically less perfect rooms. This highly sensitive cardioid condenser microphone features symmetrical transducer technology, ensuring that it has extremely low distortion. The MKH 40 also features extremely low self-noise as well as neutral directional characteristics, meaning you can expect to hear an…

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  • Sennheiser Mics MKE 2 Gold

    The MKE 2 Gold sub-miniature omni-directional lavalier is ideal for television broadcast and theatrical productions. Its accurate frequency response produces natural, uncolored sound. A unique Umbrella Diaphragm delivers moisture-resistant performance with the identical high audio quality of the industry standard MKE 2 lavalier. Its size makes it not only unobtrusive and easy to conceal, but…

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  • Sennheiser Mics MKE-2

     

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  • Sennheiser Mics MKE Platinum

    The Sennheiser MKE Platinum is a professional sub-miniature clip on microphone designed for broadcast and theatrical applications. The tiny capsule measures only 4.8mm in diameter and it’s omnidirectional polar pattern captures at a uniform frequency response at the direct and off-axis sections of the capsule. The MKE Platinum features a wide, flat frequency response that…

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  • Sennheiser Mics MK4

    The MK 4 is a large-diaphragm true condenser microphone for professional studio recordings. Featuring fine resolution and outstanding sound quality, the MK 4 is easy to handle and excellent value for money, making it an ideal choice for professional project studios and home recordists. It features a 1″” true condenser capsule based on the acoustics…

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  • MD441

     

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  • MD431

     

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  • Sennheiser Mics MD421

     

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  • Sennheiser Mics MD409

     

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  • Sennheiser Mics e935

    The e 914 is a high grade condenser microphone for very demanding applications. Its outstanding sound properties qualify the e 914 for highly sophisticated tasks. The e 914 is a perfect microphone for ambitious recordings and live performances. Its main areas of application are acoustic guitars, cymbals, percussion, overhead, orchestras, grand pianos etc . Features…

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  • Sennheiser Mics e 914

    The e 914 is a high grade condenser microphone for very demanding applications. Its outstanding sound properties qualify the e 914 for highly sophisticated tasks. The e 914 is a perfect microphone for ambitious recordings and live performances. Its main areas of application are acoustic guitars, cymbals, percussion, overhead, orchestras, grand pianos etc . Features…

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  • Sennheiser Mics e 906

    The cardioid e 906 instrument microphone was especially designed for guitar amps and is also excellent for percussion and horns. Features Lively, full sound Very fast attack Flat shape is ideal for miking amp faces Three position switchable sound character: bright, moderate, dark Rugged metal body

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  • Sennheiser Mics e 905

    The cardioid e 905 has a high maximum SPL and an excellent transient response, suitable for a wide range of instruments and an ideal choice for snare drums. Features Impressive and full sound Very fast attack Short microphone body to facilitate optimal positioning by drums Integral stand mount Sturdy reinforced aluminum metal body

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  • Sennheiser Mics e 904

    The cardioid e 904 is a dynamic instrument microphone specifically designed for drum applications. Featuring a very short body with integrated stand mount and a universal rim clip, the e 904 provides great sound without getting in the way in even the most crowded setups. Features Full, impressive, lively sound for drums and percussion Very…

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  • Sennheiser Mics e 902

    The cardioid e 902 is a dynamic instrument microphone especially designed for deep bass frequency instruments such as kick drums, bass guitar amps and tuba. Faithfully reproducing the lowest frequencies and handling the highest SPLs, the e 902 is your bottom end’s best friend. Features Frequency response optimized for kick drum Very fast attack Integrated…

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  • Sennheiser Mics e 901

    Professional pre-polarized, half-cardioid, boundary layer condenser for bass drum, Leslie and low frequency instrument applications (1 lb 2.4 oz). Features Frequency response optimized for bass drum No stand needed — just lay it on a towel or pillow Standard XLR plug: no adaptor cable needed Capable of handling extremely high SPLs

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  • Sennheiser Mics e815S

    Sennheiser e815S Microphones give you rugged, reliable service. Their cardioid pickup pattern rejects rear-axis sounds. Sennheiser e8155s feature metal construction, internal shockmounting, hum compensating coil, neodymium ferrous magnet with boron, and on/off switch with on-lock. 80Hz-12kHz. Precision manufactured in Germany. FEATURES Dynamic mic Precision manufactured in Germany Cardioid pattern Metal construction Internal shockmounting Hum-compensating coil…

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  • Sennheiser Mics e 609

    The rugged workhorse with a practical shape. The super-cardioid e 609 silver instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source. Features Rugged metal body Advanced shock-mount design Super-cardioid pick-up pattern Hum compensating coil Made in Germany

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  • Sennheiser Mics e 604

    The frequency response and cardioid pick-up pattern are optimized for drum sets and other percussion instrument miking, while also producing exceptional results on all forms of brass and woodwind. An integral stand mount screws directly onto mic stands and included clip attaches mic to rim of drum. Very high sound pressure level handling, in excess…

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  • Sennheiser Mics e602

    The evolution e602 is a dynamic microphone intended for use on kick drum and other low-frequency instruments. The mic has a nominal Cardioid polar pattern, widening toward Omni at low frequencies and narrowing at higher frequencies. The published frequency chart shows a boosted high and low response, common to the “tailored” EQ curve built into…

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  • Neumann Mics TLM 103

    The nickel TLM 103 Large Diaphragm Condenser Microphone from Neumann is a cardioid, directional microphone that features low self-noise and high sound pressure level transmission. The capsule, derived from that used in the Neumann U 87, has a cardioid pattern, is acoustically well-balanced and provides great attenuation of signals from the rear. The TLM 103…

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  • Neumann Mics KMS 105

    Neumann is world renowned for their legacy of fantastic studio microphones, but with the elegant KMS-105 they are making their uncompromising standards available in an affordable high quality hand held microphone. The exquisite design includes an elastic shock mounted supercardioid capsule with three metal basket layers providing a robust method of getting rid of those…

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  • Neumann Mics KM 184 mt

    The matte black KM 184 MT Microphone from Neumann is a small-diaphragm cardioid condenser microphone that offers premium Neumann sound that’s both open and musical. It is great for solo instruments, ensemble, and spot miking. The KM 180 series microphones feature an output stage based on the KM 100. Transformerless circuitry and balanced output result…

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  • Klark Teknic LBB100

    The Klark Teknik model LBB100 Direct Injection box provides high quality transformer isolation, attenuation, and impedance matching of audio signals for use in live performance or in the studio.

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  • Klark Teknic DN100

    The new Klark Teknik DN100 Direct Injection Box is the natural successor to the long-established LBB100. A ground-up redesign provides an extended dynamic range, lower noise floor and all the world-class audio performance you’d expect from Klark Teknik. DN100 is also designed to handle the rigors of life on the road: a thick aluminum shell…

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  • DPA Mics ST2011C

    The DPA ST2011C is a complete DPA 2011C Stereo Pair with two handpicked cardioid microphones, selected on sensitivity within ±1.5 dB making several stereo principles like XY and ORTF easy to obtain. The compact design and controlled directionality of our versatile 2011Cs make them an excellent choice for spot mics for classical recording and on-stage…

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  • DPA Mics 4099

    Building upon the award-winning 4099 series, d:vote features an enhanced shockmount design, and a choice of detachable cables of two diameters and versatile gooseneck extender. Much more natural sounding than any internal microphone or pickup, d:vote rejects unwanted noise and accurately captures the true voice of acoustic instruments. From piano, guitar and strings to woodwinds,…

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  • DPA Mics 4088

    DPA 4088 is a miniature cardioid headset mic built on the finest DPA experiences in microphone design and manufacturing, providing the best sounding directional headworn microphone available today for performing talent of various sorts. Open, natural and reliable are the most describing words for this microphone. The high quality of the microphone itself means that…

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  • DPA Mics 4066

    The 4066 is a flexible miniature microphone solution that features very easy and fast adjustment. The headset construction is unique in design, offering both left and right mounting and color change. It is also possible to use the MMB4066 Miniature Microphone Boom, Omnidirectional, separately, in applications where the headset is not needed. The 4066 offers…

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  • DPA Mics 4061

    The New d:screet™ 4061 Miniature Microphones are the versatile workhorses that adapt to your needs. With eminent sound quality, a large range of accessories, and adapters available for all pro wireless systems, the d:screet Miniature Mics are the obvious choice for any application requiring a big sound and a small footprint. Originally designed for use…

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  • DPA Mics 4011ES

    Ideal for unobtrusive spot miking, such as hanging or table use, the 4011ES (side cable) is an ultra-compact cardioid microphone from the modular DPA d:dicate Recording Microphones series. With a length of only 3,5 cm, the low-key appearance of the 4011ES is followed by the SM4000-C suspension mount, which is included in the package. This…

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  • DPA Mics 4011A

    The DPA 4011A cardioid condenser microphone is an upgraded version of our classic 4011, renowned in recording studios and live applications around the world as an exceptional mic. State-of-the-art components have been carefully selected to provide optimal neutrality, accuracy, and extremely low distortion.

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  • DPA Mics 2011C

    The new DPA 2011C microphone has strong references to the acclaimed close-miking and hi-SPL handling specialist DPA 4011 cardioid microphone – not only by its type number 11, also in its all-round capture abilities. 2011 is primarily optimized for on-stage use and the technology combines the new Twin Diaphragm Capsule and DPA’s strong know-how within…

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  • DPA Mics 2011A

    The new DPA 2011A microphone has strong references to the acclaimed close-miking and hi-SPL handling specialist DPA 4011 cardioid microphone – not only by its type number 11, also in its all-round capture abilities. 2011 is primarily optimized for on-stage use and the technology combines the new Twin Diaphragm Capsule and DPA’s strong know-how within…

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  • Crown Mics PZM-6LPB

     

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  • Crown Mics PCC 160

    Used in almost any kind of permanent public address forum such as lecture halls, conference tables or meeting rooms, the PCC-160 is a top-of-the-line supercardioid boundary microphone. For the stage floor or the desktop, the PCC-160 is the mic you’re looking for. – Element Type: Electret Condenser – Frequency Response: 40 Hz to 18 kHz…

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  • Crown Mics GLM 200

    GLM stands for “”Great Little Mic””, and we agree! This little dynamo is designed for professional recording and sound reinforcement, and offers the quality of large studio mics in a tiny package. This mini-condenser can be attached to an acoustic guitar, sax, flute, drum rim, or next to the performer’s face for freedom of movement….

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  • Crown Mics CM-311AE

    Designed for touring and live-sound applica- tions, the Crown® CM-311AE is a rugged head-worn microphone with unequalled performance. It sounds like the best handheld micro- phones—full, clear, and distortion-free, even with the loudest singers. The CM-311AE is the latest version of the Crown’s proprietary Differoid® technology. Its cardioid pickup pattern rejects sounds from the rear,…

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  • Countryman Mics E6

    E6 Earset

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  • Countryman Mics Type 85 FET

    Direct Box

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  • Countryman Mics Isomax B3

    B3 Omnidirectional Lavalier

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  • Countryman Mics Isomax 4

     

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  • Countryman Mics Isomax 2-C

     

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  • Beyerdynamic Mics TG-X 60

    The TG-X60 is a favorite among rock singers. It can be hand held or mounted on a stand its ability to withstand high spund pressure levels makes it suitable for close miking of instruments or speaker cabinets. • Hypercardioid polar pattern • High volume before feedback • Vocal tailored frequency response • Rugged construction to…

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  • Beyerdynamic Mics TG X 580

     

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  • Beyerdynamic Mics TG-X 480

     

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  • Beyerdynamic Mics SHM 803

    The Beyerdynamic SHM 803 is a gooseneck microphone with the properties of a professional shotgun microphone. The SHM 803 is primarily intended for speech pick up in conferences, meetings, presentation and general public address applications. The hyper-cardioid / lobe pick up pattern is particularly effective in eliminating off-axis ambiance and associated noise. The focused pick…

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  • Beyerdynamic Mics SHM 20 N

    The SHM 20 series is a high output miniature condenser microphone with extraordinary sensitivity. Its hypercardioid polar pattern reduces undesirable off-axis sound while providing outstanding volume before feedback. Its wide range frequency response with minimal low frequency “proximity effect” is designed to accurately provide maximum speech or vocal intelligibility. The microphone is interfaced to a…

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  • Beyerdynamic Mics Opus 62

    The Beyerdynamic Opus 62 Hypercardioid Dynamic Instrument Microphone has been developed for miking brass instruments. The Beyerdynamic Opus 62 Dynamic Vocal Microphone achieves very high gain before feedback. The flexible gooseneck ensures optimal positioning to suit both musician and sound engineer.

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  • Beyerdynamic Mics MCE 83

    The MCE 83 is a studio condenser microphone suitable for instrument miking. Employing back electret technology, its wide frequency response makes it ideal for all formats of recording. Its cardioid characteristics are similar to higher priced studio microphones and captures the sound required with the greatest of ease. Housed in a robust brass body, it…

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  • Beyerdynamic Mics MCE 81 TG

    The MCE 81 has been specifically designed to satisfy the critical demands of high-quality sound reinforcement and vocal applications. Its frequency response and cardioid polar pattern provide musicians and sound engineers with maximum vocal clarity, intelligibility with excellent gain-before-feedback. The MCE 81’s sonic quality makes it an ideal choice for vocal applications in the studio…

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  • Beyerdynamic Mics MCE 53

    The Beyerdynamic MCE 53 is an omnidirectional miniature clip-on condenser microphone intended for use with saxophone and larger wind instruments.

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  • Beyerdynamic Mics M 69 TG

    The M 69 TG serves in just about every application you can dream of for a microphone and many more beyond. A classic all-round model with a superb response characteristic making the human voice sound real, be it spoken or sung, chanted or shouted. The unique shape and sound of the M 69 TG coupled…

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  • Beyerdynamic Mics M300 TG

    The M 300 offers precision engineering and quality. Its efficient, durable moving coil design produces high output. The warm, full-bodied sound of the M 300 is tailored to capture all the distinctive nuances of a vocal or instrumental performance with a subtle high frequency rise, a bass proximity effect, and a moderate midrange “presence” boost….

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  • Beyerdynamic Mics M201N

    The M201 is a dynamic instrument microphone with a hypercardioid pickup pattern. It uses a low-mass diaphragm made of Hostaphan (a polyester film similar to Mylar) and a humbucking coil to reduce electrical interference from nearby AC sources.

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  • Audix Mics TR40

    The TR40 is a measurement-style electret condenser, built around the 6mm omni capsules that are common to this application. The mic is a physical clone of the MBHO MBNM 550 EL, although the specs and performance of the two mics differ widely. Harvey Gerst of Indian Trail Recording Studio has been quoted as speculating that…

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  • Audix Mics TM1

    The TM1 is a 6 mm pre-polarized condenser microphone used for test and measurement applications. The TM1 is known for its linearity, accurate response, consistency, ease of use and affordability. Characterized with a uniformly controlled omni-directional polar pattern, the TM1 is designed to capture acoustic measurements for room analysis software programs, real time analyzers and…

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  • Audix Mics SCX1

    The SCX1 is a professional studio cardioid condenser microphone designed for a wide variety of recording, broadcast and live sound applications. Known for its high sensitivity, pin-point accuracy, low profile and consistency, the SCX1 is also available with hypercardioid (model SCX1HC) or omnidirectional (model SCX1O) capsules. With a smooth uniform frequency response from 40 Hz…

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  • Audix Mics OM7

    Designed, assembled and tested by Audix in the USA, the OM7 is a dynamic vocal microphone used for professional sound companies, front of house engineers, mixing engineers, and high profile fixed installations. The OM7 is known for its ability to provide unprecedented gain before feedback on concert level stages without sacrificing sound quality. In addition,…

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  • Audix Mics OM6

    Designed, assembled and tested by Audix in the USA, the OM6 is a dynamic vocal microphone used for a wide variety of live, studio, and broadcast applications. The OM6 is known for its broad frequency response, full-bodied and articulate sound reproduction, resistance to feedback and ability to handle high sound pressure levels in excess of…

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  • Audix Mics i5

    Designed, assembled and tested by Audix in the USA, the i5 is a dynamic instrument microphone used for stage, studio and broadcast applications. The i5 is able to handle sound pressure levels in excess of 140 dB without distortion and can be used to mic a wide variety of musical instruments, guitar and bass cabinets,…

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  • Audix Mics f50

    The f50 is a dynamic vocal microphone designed for a wide variety of live and studio applications. The f50 is known for its warm, natural sound reproduction, resistance to feedback and ability to handle high sound pressure levels without distortion. The f50 is characterized with a unidirectional and uniformly controlled cardioid polar pattern which helps…

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  • Audix Mics D6

    Designed, machined, assembled and tested by Audix in the USA, the D6 is a dynamic instrument microphone used for stage, studio and broadcast applications. The D6 is characterized with a cardioid pickup pattern for isolation and feedback control and is equipped with a VLMTM (Very Low Mass) diaphragm for natural, accurate sound reproduction. The D6…

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  • Audix Mics D4

    Designed, machined, assembled and tested by Audix in the USA, the D4 is a dynamic instrument microphone used for stage, studio and broadcast applications. The D4 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLMTM (Very Low Mass) diaphragm for natural, accurate sound reproduction. The D4…

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  • Audix Mics D2

    The D2 is used for stage, studio and broadcast applications. It is designed with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ diaphragm for natural, accurate sound reproduction. The D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophones, guitar…

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  • Audix Mics CX112B

    The CX112B is a large diaphragm condenser microphone with a contemporary design and excellent performance characteristics. It is an exceptional tool for professional audio production, project studios and live stage performances. Delivering a smooth, uniform frequency response from 20 Hz – 20 kHz, the CX112B offers a rich, full bodied sound delivered by its 35…

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  • Audix Mics CD11

    The CD11 is an entry level dynamic vocal microphone designed for a wide variety of applications including music, speech, corporate AV, karaoke, houses of worship, and education. The CD11 is known for its clear vocal reproduction, resistance to feedback, reliability, and sturdiness. The CD11 is characterized with a uniformly controlled cardioid polar pattern which helps…

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  • Audix Mics ADX51

    The ADX51 is a professional pre-polarized condenser microphone used for stage, studio and broadcast applications. The ADX51 is known for its clear, accurate response and flexibility to handle close or distance miking for a wide variety of acoustic instruments. Characterized with a uniformly controlled cardioid polar pattern, the ADX51 is designed to capture the acoustics…

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  • Audix Mics ADX-20i

    From Audix, the ADX20I is a miniature condenser microphone designed for capturing instruments. The microphone’s pre-polarized condenser element reproduces sound that is more than suitable for capturing brass, woodwinds, percussion and more. The wide 40Hz to 20kHz frequency response accurately reproduces audio in pristine detail without noise and distortion. The ADX20’s low profile is ideal…

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  • Audix Mics 300-xb

     

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  • Audio Technica Mics Pro7a

    Lavalier mic also excels in acoustic guitar applications Provides crisp, full-sounding voice and instrument pickup Special internal construction minimizes handling and clothing noise Switchable low-frequency roll-off

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  • Audio Technica Mics ATR3M

    The ATR3M is a quality dynamic talkback microphone engineered for durability, excellent speech intelligibility and reliable performance—at a very attractive price. With its flexible gooseneck design, XLR-type plug-in, protective windscreen and press-on/press-off switch, the microphone is ideal for everyday use in entertainment, commercial and industrial applications.

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  • Audio Technica Mics AT935B

    Ideal for kick drum, toms, and other highly dynamic instruments Handles very high SPL at close range Big, warm low-frequency response with excellent presence Multi-level grille and rugged construction Offers very full sound on close-up vocals and dialogue

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  • Audio Technica Mics AT831B

    835B?

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  • Audio Technica Mics AT4040

    The AT4040 side-address condenser microphone features an advanced large diaphragm tensioned specifically to provide smooth, natural sonic characteristics. A marriage of technical precision and artistic inspiration, the AT4040 offers exceptionally low noise, wide dynamic range and high-SPL capability for greatest versatility. This ultra-consistent microphone may be used with confidence in a wide variety of studio…

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  • Astatic Mics GN15VP

    The Astatic GN15VP Miniature Gooseneck Microphone delivers the professional features needed to achieve optimum speech pickup in board meetings, conferences, presentations, houses-of-worship and more. The GN15VP features a highly sensitive condenser capsule with a continuously variable pickup pattern. Users may adjust the polar pattern continuously from omnidirectional, cardioid, hypercardioid and figure-eight for maximum flexibility and…

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  • Astatic Mics CTM 1500VP

    The Astatic CTM-1500VP is a continuously variable-pattern side address large diaphragm condenser microphone designed for professional sound reinforcement, recording and broadcast applications. The CTM-1500VP combines a vintage 1.1″, gold sputtered, externally biased capsule design with advanced electronics. Continuously variable pattern control allows the operator to “dial in” precise coverage according to desired miking techniques as…

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  • Astatic Mics 827A

    The Astatic 827A Condenser Gooseneck Microphone is an elegant microphone with a slender profile, designed for mounting onto podiums, conference tables, desk surfaces, etc. The microphone features a sensitive condenser transducer with an optimized frequency response that accentuates vocal presence while minimizing low-frequency noise. This model features a fully adjustable 17″” gooseneck for flexible, stable…

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  • AKG Mics D7

    The D7 reference dynamic vocal microphone creates the subtle and open sound of a condenser capsule with the powerful resonance of a dynamic microphone. The patented dual-layer Varimotion diaphragm can vibrate unhindered, which results in an extraordinarily crisp and clean sound. The unique laminated material damps high resonance peaks in the frequency response, which in…

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  • AKG Mics C518M

    The C518 professional miniature clamp-on microphone is the ultimate tool for recording of drums and percussion. Its cardioid polar pattern rejects overspill from nearby instruments. A continuously adjustable vise-type clamp makes it easy to fix the microphone securely on the rim of drums or percussion instruments. A special snap-on stabilizer keeps the gooseneck in a…

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  • Yamaha Effects DDL3

    Effects: Digital Delay Signal Processor Features: Crossover Converter Type: Digital to Analog (D/A), Delta Sigma Converter Resolution: (1) 18-Bit

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  • AKG Mics D112

    The D112 has earned a well-deserved reputation worldwide as the best kick drum microphone ever made. Heavy-footed drummers are thrilled with the D112´s ability to handle up to 160dB SPL without any distortion. The diaphragm has a very low resonance frequency to maintain a solid and powerful response below 100Hz. A narrow band presence boost…

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  • AKG Mics C451

     

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  • AKG Mics C414 B-XLS

    High sensitivity and extremely low self noise; five switchable polar patterns for placement and application flexibility; two-color LEDs provide quick visual indication of selected polar pattern and output overload; elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration; H85 professional shock mount/stand adapter, PF80 external pop filter and W414 X external windscreen. A reference-quality…

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  • AKG Mics C414B/ULS

    Classic large-diaphragm reference microphone; selectable cardioid, hypercardioid, omnidirectional or figure-eight polar patterns; two-stage preattenuation pad and bass cut filter; high sound pressure level capability – up to 160 dB SPL. The C414 B-ULS is THE reference microphone for almost all comparative microphone tests and one of the most used condenser microphones in the world. It…

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  • Lexicon 960L

    The 960L is capable of full 24-bit/96kHz performance and the factory standard I/O configuration boasts 8 channels of XLR-balanced analog audio as well as full AES/EBU digital I/O in a 4-unit, rack-mounting CPU mainframe. The Lexicon Alpha-numeric Remote Controller (LARC2) compliments the 960L mainframe. Multiple DSP configurations include: Stereo, 5.1 Surround, Multiple-Stereo, and Stereo plus…

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  • Yamaha Effects SPX990

    Advanced Hardware for Superior Sound The latest 20-bit analog-to-digital and digital-to-analog conversion technology-sampling at 44.1kHz. Frequency response extends all the way from 20 Hz to 20 kHz; dynamic range is an extraordinary 106dB; noise and distortion are neglible. Stereo Configuration with Balanced Inputs and Outputs A true 2-in/2-out stereo configuration that allows stereo sources to…

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  • Yamaha Effects SPX 2000

    Superb Sonic Quality with 24-bit/96-kHz Processing Throughout Refined Preset Programs Including the Advanced “REV-X” Reverb Algorithm Efficient Color-coded Interface Professional Audio I/O and Control Connectors SPX2000 Editor for Mac OS X and Windows

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  • Yamaha Effects Rev7

    User-Oriented Features User-oriented features and controls provide limitless creativity. 30 Presets 30 impressive factory presets are permanently stored in the REV7 ROM (read only memory). Presets cover a broad range of effects various size halls, simulations of mechanical reverb devices, simulations of recording studio type acoustic environments, stereo delays, and a range of modulation type…

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  • TC Electronic Effects TC 2290

    Praised as the Industry Standard Digital Delay, the TC 2290 is ideal in recording studios, PA rigs, and guitarists’ FX racks. The TC 2290 integrates exclusive operational features and exceptional sound quality, enabling a superior degree of musical creativity in the use of effects.

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  • TC Electronic Effects M-One XL

    M-One XL is a dual effects unit, ideal for LIVE applications. The reverbs are exceptional, but so are the many effects such as Compressor, Chorus, Delay, Gate, etc. The core of M-One XL, the XL Technology, is centered on TC’s heritage and constant research and development of Reverb technology. XL Reverbs supply new and improved…

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  • TC Electronic Effects M5000

    The M5000 Digital Audio Mainframe combines TC DARC™ technology with the abilities of the most accomplished signal processing software engineers around the world to create the ideal mix of effects. The exceptional and durable design of the M5000 hardware platform enables future upgrading of both the software and hardware aspects. The M5000 is incredibly easy…

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  • Bricasti Design M10 Remote

    The Bricasti Design Model 10 remote console is a dedicated hardware remote controller for use with the M7 stereo reverb processor. Following the same design criteria as the M7, the M10 casing is manufactured and milled from solid anodized aluminum, for an enduring design and long life. The M10 is also designed to be simple…

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  • TC Electronic Effects M3000

    The VSS3-reverb technology of the M3000 is an industry standard. The M3000 has some of the best sounding, most adaptable and intuitive professional reverbs for music and film/post purposes. Uniting matchless control of directivity in the early reflections with a transparent and harmonically outstanding diffused field, the art of reverberation is brought to a new…

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  • TC Electronic Effects M 2000

    The M2000 features a comprehensive palette of high quality effects that enable stunning effects. The true dual engine configuration allows two full-blown effects to be run simultaneously, i.e. on two individual effects sends. The effects were designed for optimal sonic quality without compromise, possible because of TC’s powerful DARC™ chip.

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  • TC Electronic Effects EQ Station 8

    The EQ Station is a dedicated Live-EQ. Combined with the Motofader-64 flying-fader remote and the TCP/IP based PC editor software you have the most versatile and sophisticated, yet easy to use, EQ System for any live- and Public Address-application found on the market today. Features in EQ Station: 6 band Parametric EQ 29 Band Graphic…

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  • TC Electronic Effects D-Two

    D-Two combines TC Electronic Effects’ remarkable delays with fun. They have added the truly musical Rhythm Tap feature: Not only tempo, but actual rhythm patterns can be tapped directly on the unit for results that are sure to rapidly inspire and lift creativity to new heights. The D-Two features TC quality delays and effects, multi-tap…

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  • Summit Dynamics TLA-100A

    The key item that has made the TLA-100A an industry standard since it’s introduction in the mid-80s is that it’s one of the simplest compressors to use, letting attention stay on the performance rather than on the gear. One of the chief advantages of the TLA-100A is its smooth program-dependent sound, similar to an optical…

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  • Summit Dynamics DCL 200

    The Summit Audio DCL-200 is a dual channel hybrid design compressor/limiter that integrates hand selected vacuum tubes with high reliability 990 op-amps in a transformerless signal path, emitting an exceptionally clean, clear-cut sound with the subtle overtones and warmth of tube technology. The DCL-200 uses a soft-knee and program dependent transition characteristic that is enormously…

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  • Lexicon Effects PCM 91

    The PCM 91 delivers Lexicon’s premier reverbs in a compact, budget-friendly package with an impressive interface that offers both ease of use and an abundance of programming capabilities for the sound designer. All of the features of the acclaimed PCM 90 are included, plus full AES/EBU I/O, Dual Reverb algorithms, and presets with dynamic spatialization…

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  • Bricasti Design M7

    The Bricasti Design Model 7 provides the highest level of musicality and ease of control imaginable in a processor dedicated to the task of reverberation. A modern high resolution digital design, utilizing a stunning array of the latest DSP processors, provides a platform for the long overdue next step in reverb processing algorithms. A separate…

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  • Klark Teknik EQs DN360

    The DN360 from Klark Teknik is a dual-channel, thirty-band graphic equalizer, devised and engineered to high standards, allowing the EQ to endure the demands of constant use on the road. All units also share a sonic consistency, enabling engineers all over the world to duplicate settings on locally sourced machines. Accurate operation is reached by…

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  • Klark Teknik EQs DN300

    This single-channel, 30-band equalizer provides 12dB of cut or boost in 1/3 octave steps between the frequencies of 25Hz and 20kHz. It utilizes a proprietary filter circuit rather than the conventional, inductor-based circuit, delivering minimal low-frequency distortion, noise and ripple, plus unequalled phase response and control accuracy.

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  • Drawmer Dynamics DS404

    The DS404 Quad Noise Gate was created to the utmost requirements to complement the DS201 Dual Noise Gate. Knowing that there are many general gating applications that necessitate intuitive and compact equipment, Drawmer has built the DS404 Quad Noise Gate using innovative and exclusive ‘Programme Adaptive’ circuitry. This makes the DS404 perfectly suited for use…

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  • Drawmer Dynamics DS201

    The DS201 is a high-tech dual channel noise gate integrating a multitude of features pioneered by Drawmer, which are instrumental to the sound engineer, and not included on conventional noise gates. Features: Variable high pass and low pass filters for “”frequency conscious”” gating. Comprehensive envelope control, attack, hold, decay, and range. Key input for external…

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  • Bricasti Design M7M

    The new Bricasti Design M7M Reverb Processor Mainframe is an exact duplicate of the M7 Stereo Reverb Processor with reduced front panel controls, and is intended to be used in conjunction with the M10 Remote Console. As it is necessary to have an M10 for control, the M7M is made available bundled together with the…

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  • Drawmer Dynamics DL441

    The DL441 Quad Auto Compressor/Limiter uses four channels of Drawmer’s pioneering DL241 ‘Auto Compressor’ in only 1U of rack space. The addition of high-tech ‘automated’ circuitry lets the engineer accurately control both the dynamic range and ‘absolute’ peak level of the program instantaneously, without foregoing fundamental control parameters. This impeccable balance of features makes the…

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  • Drawmer Dynamics DL 241

    The Drawmer DL241 Dual Channel ‘Auto-Compressor’ has numerous features, displays and control functions that make it an exceptional product for a vast range of broadcast, sound reinforcement, and recording purposes. The DL241 ‘Auto-Compressor’ integrates many automatic functions that allows optimum results in minimum set up time without limiting accomplished users with restricted controls. Its high-tech…

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  • Drawmer Dynamics DA6

    The allocation of mono and stereo balanced audio signals from a single source to multiple destinations has many uses including multi-zone sound reinforcement installations, live sports events coverage, broadcast studios, video suites, duplication or indeed anywhere high quality audio has to be distributed to a number of locations down long cable runs. The Drawmer DA-6…

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  • BSS Dynamics DPR-404

    The DPR-404 is a 4 channel compressor with high frequency de-essing. Each channel includes: Threshold control Below threshold metering Ratio control A gain reduction meter A clip LED Gain control Linking High frequency de-esser. Attack and release time constants are automatically and continually regulated by dynamic and harmonic content of program material. The unit features…

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  • BSS Dynamics FCS-960

    The FCS-960 is a 30-band graphic equalizer featuring Dual Mode switching between Normal and Fine filter width settings on each channel. The FCS-960 provides two channels in 3U of rack space. Constant Q-filters with filter-bypass center taps are controlled by high grade, 45mm faders with molded polymer fader knobs which eliminate visual parallax error even…

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  • Radial mPress / Exo-Pod

    The Radial mPress is a modular press box that can be expanded as needed to feed a community-sized press gallery or distribute audio for an international event. The design begins with the mPress, a master head distribution amplifier that is equipped with two microphone inputs, 48V phantom power for condenser microphones and a built-in limiter…

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  • BSS Dynamics DPR-901 II

    The DPR-901 II is a four-band parametric Dynamic Equalizer which allows frequency-selective compression (-3OdB) and expansion (+16dB). Each band has: A frequency sweep. A bell width. An IN/OUT switch. Compress/expand control. Compress/expand metering. Threshold metering. Time constants which are automatically controlled by dynamic and harmonic content of signal with selectable FAST RELEASE. It has a…

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  • BSS Dynamics DPR-504

    The DPR-504 is a 4-channel noise gate. Each channel features: A parametric key filter with key filter listening. Simultaneous key level and threshold metering with average and peak metering. A gate status LED. A RELEASE/HOLD control (hold tracks proportionally with release times). Attack switchable auto/fast (auto tracks signal dynamics for optimum setting). Link (links two…

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  • BSS Dynamics DPR-402

    The DPR-402 is a 2-channel compressor/limiter, high frequency de-esser and wide band de-esser with peak limiting, adjustable speed, dynamics program manipulation, and full LED metering for both input and output. Integrated side-chain and gain reduction metering allow for continuous dynamic activity monitoring. Auto mode provides program dependent attack and release control. The DPR-402 is a…

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  • Avalon Dynamics U5

    The U5 high-voltage DI-preamp unites an exclusive passive tone selector with a variable gain preamp and filter. The high input impedance is compatible with a large range of signal levels and instruments from acoustic guitars to high-output active bass guitars and keyboards. The U5 direct box is equipped with loads of sonic character and features…

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  • Avalon Dynamics VT-737SP

    The Avalon VT-737SP provides TUBE preamplifiers, opto-compressor, sweep equalizer, output level and VU metering in a 2U space.

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  • XTA DP226

    The DP226 is a formidable DSP based audio processor, well suited to live sound applications where it incorporates the functions of numerous conventional products in a compact 1U unit. The DP226 has two inputs and six outputs which can be configured in five basic crossover modes – 3 x 2 way; 2 x 3 way;…

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  • XTA DP448

    If signal isn’t captured and reproduced as accurately as possible, even the most cutting-edge digital signal processing and high sample rates are useless. The range utilizes high-performance 24-bit converters on the inputs and outputs, running at 96kHz to give a bandwidth of over 30kHz and a dynamic range in excess of 116dB. With four fully…

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  • Meyer Galileo

    Galileo 616 is an incredibly powerful DSP-based loudspeaker management system that provides up to two seconds of delay for each input and output. Each input and output includes a careful digital implementation of Meyer Sound’s famous CP-10 complementary phase parametric equalization (five bands on inputs, ten bands on outputs), coupled with the new TruShaping program…

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  • Lake LM44

    The LM 44 features a 4-input/4-output analog configuration that is ideal for numerous system signal processing and routing applications. The LM 44 also features 8 × 8 AES3 digital I/O and 4 × 8 Dante networked I/O, all with comprehensive signal routing to provide Dante break-in / breakout and failover functionality. Two LM 44 units…

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  • Lake LM26

    The LM 26 features a 2-input/6-output analog configuration that is perfect for multi-way loudspeaker crossover, delay, and EQ functions. The LM 26 also features 4 × 8 AES3 digital I/O and 4 × 8 Dante networked I/O, all with comprehensive signal routing to provide Dante break-in / break-out and failover functionality. Two LM 26 units…

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  • Neutrik XIRIUM

    With the digital, wireless audio connector network XIRIUM, the first product based on the DIWA technology, Neutrik ventures a glimpse into the future. XIRIUM combines digital transmission and receiving lines in one system and delivers the highest sound quality, unique reliability and ease of handling. Plug and Play – due to the ease of set-up…

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  • Shure UHF-R

    UHF-R® Wireless systems can handle the strenuous conditions of any touring, installation or broadcast environment, while providing exceptional Shure sound. Transmitter form factors include handheld, body pack, plug-on and micro body pack options; receiver form factors include single, dual and portable configurations. Power options include AA batteries (UR1, UR2, UR3 or UR5), AAA batteries (UR1M),…

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  • Shure QLXD4

    The QLXD4 is a half-rack digital wireless receiver that features transparent 24 bit digital audio quality and supremely streamlined RF spectrum usage. It is intended for use with QLX-D® Digital Wireless Systems, and is well suited for presentation spaces, music venues, and houses of worship. It unites professional features with smooth setup and operation. Automatic…

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  • Shure QLXD2

    Delivering transparent 24-bit digital audio quality and remarkably proficient RF spectrum usage, the QLXD2 handheld transmitter is perfect for wireless vocals in presentation spaces, music venues, and houses of worship. The QLXD2 is user-friendly, and speedily syncs with a wireless receiver over IR keeping a clear, continuous signal over its entire 100 m (330 ft.)…

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  • Shure QLXD1

    The QLXD1 bodypack transmitter is perfect for wireless vocals and instruments in presentation spaces, music venues, and houses of worship with its transparent 24 bit digital audio quality and extremely proficient RF spectrum usage. The QLXD1 is user-friendly and, with the push of a button, it swiftly syncs with a wireless receiver over IR and…

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  • Shure QLX-D

    QLX-D® provides exceptional digitial wireless sound for mid-size events and installations with its networked control, AES-256 encryption, and intuitive setup and operation. Transmitter form factors include handheld, bodypack, headworn, lavalier, instrument clip-on, and combo. Power options include Shure SB900 Lithium ion rechargeable battery and AA batteries. Features a 64 MHz tuning bandwidth and 17 compatible…

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  • Shure PSM1000

    Dual-channel PSM®1000 delivers first-rate features for touring-grade wireless monitoring uses. It has a diversity bodypack receiver and allows networkability over Ethernet connection and the ability to recharge with the Shure SB900 lithium-ion battery. Features 49 compatible frequencies per band, and a 72 MHz-80MHz tuning bandwidth (dependent upon region).

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  • Sennheiser G3 IEM

    The trustworthiest wireless monitoring system is even better with upgraded features. This bodypack receiver delivers adaptive diversity for extraordinarily dependable reception. The headphone cable works as a second antenna to get rid of audio dropouts. Due to its easy-to-use menu navigation and vibrant backlit graphic display, it is incredibly simple to operate the EK 300…

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  • Sennheiser SR 300 IEM G3

    The only way to improve your sound is to be better able to hear yourself. The Sennheiser G3 monitoring system takes wireless monitoring to the next level. New pass-through sockets for the audio signal facilitate a console’s audio feed to be routed to other devices in the chain, streamlining setup. The augmented audio frequency response…

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  • Sennheiser SKM300-835 G3

    The SKM300-835 GE is extremely powerful yet easily manageable with features such as a handy menu interface, vibrant graphic display, and programmable mute button. The mute button can be programmed to support push-to-talk, push-to-mute, and more. This hand-held transmitter/microphone combination is devised for supreme dependability and remarkable sound so that it’s easy to focus on…

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  • Sennheiser EM 300 G3

    Because self-reliant devices allow for more artistic freedom, the EM 300 GE was designed with a built-in Ethernet port for remote PC monitoring and setup with Sennheiser’s Wireless System Manager software. The receiver’s wireless sync function makes it incredibly easy to link up any G3 transmitter with the unit. Additionally, it has a large backlit…

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  • Sennheiser SK 5012

    Its exceptionally efficient design makes the SK 5012 bodypack transmitter perfect for applications where an inconspicuous transmitter is essential, such as musicals, TV shows, and film. It features a step sensitivity switch, cutting-edge PLL technology, 16 switchable frequencies, and easy-to-use clip attachment.

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  • Sennheiser EM 3532

    The Sennheiser EM 3532 is comprised of two complete true diversity receivers in a single 19” 1 U rack housing. 32 programmable receiving frequencies per receiver assure flexible channel selection, making this receiver the perfect choice for OB applications or for use in shows.

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  • Sennheiser EM 2050-G

    The EM 2050-G is outfitted with the same features as EM 2000, but it is designed as a twin receiver, which allows the RF signal to be lopped through, aided by an integrated active splitter. Systems with up to 16 channels can be set up without using external splitters, and an integrated equalizer and guitar-tuning…

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  • Sennheiser SK 2000-XP-G

    This wireless bodypack transmitter is lightweight and extremely resilient, perfect for both musician and audience. With an AF frequency response of 25 to 20000Hz, it transmits even sound of a bass guitar with rich fundamentals. Four RF output powers provide longer transmission ranges or more channels per frequency range.

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  • Sennheiser SR 2000 IEM

    Robust, dependable, and flexible, the SR 2000 delivers 26 frequency banks with up to 32 channels. Users can program the channels, six of the frequency banks. Three switchable RF output powers (10, 30, and 50 mW – additionally 100 mW in the US version) offer ultimate artistic and technical freedom.

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  • Sennheiser EK 2000 IEM

    EK 2000 IEM is a wireless monitoring set with a receiver that utilizes adaptive-diversity technology. The earphone cable works as a second antenna, significantly reducing the number of dropouts. When using IE 4 ear-canal phones, EK 2000 IEM delivers an authentic acoustic pattern of live sound so you can flawlessly oversee your own performance.

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  • L-Acoustics LA12X

    The LA12X relies on a proprietary switch mode power supply (SMPS) equipped with a DSP-controlled PFC, capable of delivering 12,000 W regardless of mains voltages (from 240 V down to 100 V.) The PFC offers high immunity to unstable mains and lowers typical power consumption by up to 40% for the same usage conditions i.e.,…

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  • L-Acoustics LA-RAK II

    LA-RAK II features four fully integrated rigging rails on top and bottom faces as well as four stacking runners which mate with four runner guides. These are for assembling several LA-RAK II in stacked or flown configuration.

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  • Lab.Gruppen fp6400

    Extreme high power amplifiers like the fP 6400 have always dealt with efficiency issues and heat dissipation. Lab.gruppen made a groundbreaking development with a patented, high-efficiency amplifier that surpassed usual Class D approaches. Labeled Class TD®, this technology achieves the same high efficiency as Class D, but dodges the characteristic drawbacks. Lab.gruppen’s Class TD design…

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  • L-Acoustics LA8

    The LA8 amplified controllers are at the center of the L-ACOUSTICS® integrated system approach. They provide high performance loudspeaker amplification, DSP, network control, and comprehensive system protection in a single ergonomic package. On-board library presets can be used immediately with a minimum of EQ correction, optimized system resources, and an exclusive sonic signature for all…

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  • L-Acoustics LA-RAK

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  • d&b D80

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    The Crown® Macro-Tech® Series is the defining standard for amplifier design today. No compro- mises, no gimmicks. Just brilliant engineering backed by superior manufacturing, support and an unsurpassed commitment to quality. Like all Crown amps, the defining characteristic of the Macro-Tech Series is sonic accuracy. A tight, rock-solid low end, with smooth, detailed highs and…

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locations

  • Clearwing Productions - WI

    Wisconsin 414 258 6333
    11101 W.Mitchell St.
    Milwaukee, WI 53214

  • Clearwing Productions - AZ

    Arizona 602 850 6333
    5640 S. 40th Street #1
    Phoenix, AZ 85040

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